The Essential A&E Picks for Dec. 7-13 | Entertainment Picks | Salt Lake City | Salt Lake City Weekly

The Essential A&E Picks for Dec. 7-13 

Lachlan Patterson, Irving Berlin's White Christmas and more

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Lachlan Patterson

Canada has a long history of producing secret comedic weapons, from Dan Aykroyd to the Kids in the Hall and Mike Myers. So you have to give respect to native Canadian Lachlan Patterson for making it through those ranks after years of hard work. "It was really difficult because Canadians don't care what show you've been on or who you opened for," Patterson says. "They aren't an easily impressed nation. The only way you truly earn respect in Canadian comedy is by putting in your time."
That effort is now paying off for Patterson with gigs like co-hosting The Kooks of Komedy Podcast with Joe Praino, and his own stand-up special on SeeSo (which will also be released as an album), Live from Venice Beach. As for touring, Patterson has been working on new material as he goes. "I think my material is much more personal than it used to be. It feels way better to talk about the stress in my life and have people laugh. It shows me I'm not alone," he says.
Unlike touring comics who might just pop in and perform, Patterson is looking to do more around town during his three-night stop at Wiseguys: "I usually just like to walk around the city. Grab a cup of coffee. Talk to the people on the street. Maybe start a revolution," he says. "Also, I love the people of Salt Lake; some of the nicest people in the country," he continues. "I try and hang out after every show and say hi to as many people as I can and meet some new friends." (Gavin Sheehan)
Lachlan Patterson @ Wiseguys SLC, 194 S. 400 West, 801-532-5233, Dec. 8, 7:30 p.m.; Dec. 9-10, 7:30 & 9 p.m., $15.

Irving Berlin's White Christmas
The famous 1954 film that birthed the best-selling song "White Christmas" quickly became a holiday staple, and it's little wonder why. Its composer, Irving Berlin, was an American icon, and its tale of two ex-GIs/showbiz buddies who stage a holiday show in an idyllic Vermont inn elicited pangs of nostalgia in its post-war world.
The movie's stars, Danny Kaye and Bing Crosby, have long since shed their mortal coils, but that need to revisit simpler times is no less potent now, given the turmoil and tribulations we encounter on this polarized planet. Broadway at the Eccles deserves kudos for bringing back the stage adaption of this classic as a way to remind us that sugary sentiments are always sacred, especially this time of year.
Along with the title tune, there are plenty of other favorites—"Count Your Blessings Instead of Sheep," "Happy Holiday," "Sisters" and "Blue Skies" among them—not to mention a heap of dancing, romancing and wisecracking as well. Sure, it's quaint, old-fashioned and even corny at times, but leave your cynicism at the door and take an opportunity to shed the weight of the world.
The New York Times encouraged that notion, declaring "this cozy trip down memory lane should be put on your wish list." We couldn't agree more. (Lee Zimmerman)
Irving Berlin's White Christmas @ Eccles Theater, 131 S. Main, 801-355-2787, through Dec. 11, performance times vary; captioned performance Dec. 10, 2 p.m., $40-$90.


Utah Symphony with Cirque Musica
December is defined by traditions, and this is especially true when it comes to entertainment. Amateur and professional theatre groups alike break out the time-tested Nutcracker and A Christmas Carol programming and rely on them to get audiences into the holiday mood.
But the Utah Symphony is looking to reinvent traditions by teaming up with Cirque Musica, a traveling group not unlike Cirque de Soleil. Combining circus acts such as aerialists, strongmen and jugglers with Christmas carols and classical music, the two ensembles provide an alternative to the classic holiday fare without completely rejecting it.
Paul Meecham, president and CEO of Utah Symphony, says the combination of Cirque Musica performers and musicians helps provide a symphonic experience to people who normally wouldn't go a performance like theirs. "I think you expand your audience base. Symphonies these days are offering more diverse types of events," he says. "It's like opening a door to symphonic music. Maybe I don't want to go to a regular subscription concert, but I can see the music in combination with something else."
Mark Davidson, principal trombone in the symphony, says he doesn't mind sharing the stage with another performance. "It's just great music combined with great dancing; it's great fun to watch," he says. "It's only a few weeks a year where we do something like this where there's a live performance with us." (Kylee Ehmann)
Utah Symphony with Cirque Musica @ Abravanel Hall, 123 W. South Temple, 801-533-6683, Dec. 9, 7:30 p.m.; Dec. 10, 11 a.m. & 7:30 p.m., $21.


Pioneer Theatre Co.: Oliver!
The age of Oliver! is showing. Not the young character, of course—performed exceptionally by Maxwell Rimington in Pioneer Theatre Co.'s production—but the play itself. Like Charles Dickens' 1830s novel Oliver Twist, the music and lyrics by Lionel Bart also come from a different era: 1960.
There's a violent undertone running through Oliver! and it's evident early on in the song "I Shall Scream" sung by Mr. Bumble (Kevin Ligon) and Mrs. Corney (Linda Griffin). That sensibility extends to Nancy's (Natalie Hill) contentious relationship with Bill Sykes (Howard Kaye). Times have changed since Oliver! first premiered on London's West End. The themes might surprise some viewers, especially those who expect to watch a happy-go-lucky children's musical.
Despite the mixed messages, this cast is impressive—as is George Maxwell's incredibly scenic design. Rimington's Oliver Twist holds his own as a poor, orphaned boy who gets sold to an undertaker couple (James Michael Reilly and Carol Schuberg). After running away, he meets The Artful Dodger (Christian Labertew), a member of Fagin's (Bill Nolte) pick-pocketing crew. But when Oliver attempts to pick a pocket or two, he's caught and whisked off by the wealthy Mr. Brownlow (Richard Scott).
Nolte's Fagin nearly steals the show from Rimington, yet it's the entire company numbers that are most spectacular to watch thanks to the incredible set. If all you know about Oliver! is the line, "Please sir, I'd like some more," you're in for a surprise. (Missy Bird)
Pioneer Theatre Co.: Oliver! @ 300 S. 1400 East, 801-581, through Dec. 17, Monday-Thursday, 7 p.m.; Friday-Saturday, 7:30 p.m.; Saturday matinee, 2 p.m., $25-$62.

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