List Lessons | Film Reviews | Salt Lake City | Salt Lake City Weekly

List Lessons 

What a 25th anniversary re-release of Schindler's List can teach us about 2018.

Pin It
click to enlarge cinema-1-181206-credit-universal-pictures.png

Schindler's List is 25 years old. I had not seen the movie in 20 years, and my overwhelming reaction today is a new astonishment:While in the 1990s, Steven Spielberg's raw, brutal depiction of the unimaginable horrors of the Holocaust was harrowing, it felt like history—a nightmare safely in the distant past. Watching it again now feels like a warning. Here are the lessons for 2018 I gleaned from my recent re-watch ahead of this week's 25th anniversary theatrical re-release.

• Complicity and complacency are not only the hallmarks of rising fascism, but absolutely essential to it. There are two complementary opening sequences to Schindler's List. The first is the one in which Jews politely line up to register with the Nazis in Krakow, Poland, handing their fates over to an occupying power. With our hindsight, we must acknowledge that compliance with totalitarianism is dangerous, not least because it signals acceptance. The other opening sequence is our introduction to Oskar Schindler (Liam Neeson), newly arrived in Krakow and sucking up mightily to the Nazi powers that be, hoping to do business with them. And succeeding wildly, because narcissistic emotional children like the Nazis are always susceptible to the kind of flattery and buttering-up that Schindler offers. (Remember this: Bullies, once you recognize them for what they are,can be manipulated. More on this in a bit.)

• Empathy can be engaged—in some people, if they aren't actually sociopaths—but it takes time and proximity. I've never been sure whether Schindler is already plotting subversion as he is scheming to get on the sweet side of the Nazi powers: Spielberg, screenwriter Steven Zaillian and Neeson are all very coy on this point. I suspect that Schindler very gradually sees the horror, and that it is really happening to actual human beings, via his relationship with his Jewish accountant, Itzhak Stern (Ben Kingsley), whom Schindler has to rescue from a train taking Krakow's Jews to ... well, we know where, but likely Schindler at best has only dark, vague suspicions of where his very useful, very smart employee is headed.

• Things go south very quickly. And blind obedience to authority is a necessary requirement for that to happen. The scene here of Jews sorting luggage—left behind by other Jews packed onto the death trains—is like a kick in the gut. As is the scene of Jewish children happily waving goodbye to their parents as they go to what we know will be their deaths. The horror of people willingly walking into oblivion when mass government-sponsored murder is inconceivable can no longer be an option. From which follows:

• We can no longer feign ignorance of, or astonishment at, rising totalitarianism, nor can we downplay the peril of it. We know now that the unimaginable is not only imaginable, but entirely possible.

• Resist, resist, resist, however you can, from whatever position you can. Use whatever privilege you have to resist. Undermine from within if that's where you are. We can debate at which point Schindler knows incontrovertibly what is happening to the Jews, but we cannot debate that once he knows, he uses his position, his power and his money to subvert it. There is a special small rebellious magic in how Schindler (and Stern) use bureaucracy to stick it to the Nazis. Schindler's list is literally just paperwork, a memo to the Nazis about Jewish labor he needs to keep running his business that is, ostensibly, supporting the Third Reich (though Schindler also eventually ensures that his factory doesn't produce anything useful to the Nazi war effort).

• Toxic masculinity is cultural poison, but it can be disrupted. The counterpoint to Schindler is Amon Goeth (Ralph Fiennes), the Nazi camp commandant who shoots Jews from the balcony of his on-site manor for fun. Schindler figures out how to divert his worst impulses, with the sly suggestion that the power he has been using to decide who should die at his caprice could be used to decide who lives at his "mercy." The white male rage and weak, insecure manhood that was—and still is—Nazism is not impervious to manipulation that can cripple its goals.

• We cannot rely on the beneficence of rich white men to save the rest of us. Of course, we must celebrate Schindler's campaign of resistance, and indeed it forces us to wonder where the likes of him are now—men using their wealth and privilege for the betterment of all. George Soros and Bill Gates are only two dudes. Yet, we must never depend on the whims of rich white men for anything. No individual should wield such power. It's noway to run a planet.

Schindler's List remains extremely difficult to watch, but if there is anything heartening to be found in it today, it is the very pertinent lessons it has for us right now.

Pin It


More by MaryAnn Johanson

  • Fall Features

    A preview of the cinema offerings coming to big and small screens before year-end.
    • Sep 7, 2022
  • I'm a Big Kid Now

    Orphan: First Kill improves a bit on the original, but with a problem in its central character.
    • Aug 17, 2022
  • Chillin' Like a Villain

    The Bad Guys mixes snappy, snarky animated fun with a few important lessons.
    • Apr 20, 2022
  • More »

Latest in Film Reviews

  • Mishandled in the Wind

    Blonde loses the humanity of Norma Jeane in portraying the tragedy of "Marilyn Monroe."
    • Sep 28, 2022
  • One Small Stepford Man

    Don't Worry Darling can't find a payoff for its mysterious set-up.
    • Sep 21, 2022
  • Fletch Lives (Again)

    Jon Hamm and Confess, Fletch truly recapture the spirit of the Chevy Chase originals.
    • Sep 14, 2022
  • More »

© 2022 Salt Lake City Weekly

Website powered by Foundation