Away We Go | Film Reviews | Salt Lake City | Salt Lake City Weekly

Away We Go 

Baby Bumpy: Krasinski & Rudolph are funny, if not so real.

Pin It

In Away We Go, Burt (John Krasinski) and Verona (Maya Rudolph) are an unmarried 30-something couple expecting a baby. Like all first-time parents-to-be, they’re full of anxieties. Burt worries that Verona won’t marry him and make their family “official”; Verona, who lost her own parents years earlier, wonders who will help them through the process. So perhaps it makes sense that, with such concerns about how they’ll fare as parents, they’d want to feel better by spending plenty of time with some of the most grotesquely messed-up parents you could imagine.

Screenwriters Dave Eggers and Vendela Vida have concocted a road comedy that’s immensely frustrating because the good stuff is so good. The scenes that involve only Burt and Verona are almost uniformly superb, full of both snappy patter and genuine emotional connection. Rudolph is particularly terrific, dialing every potentially broad emotion back to a register of compelling maturity. In short, she feels fully and consistently real.

And she’s a stark contrast with pretty much every other character. Burt and Verona’s cross-continental journey begins when Burt’s parents (Catherine O’Hara and Jeff Daniels) reveal that they’re moving out of the country right before their grandchild’s due date, oblivious to their son’s dismay. Allison Janney and Jim Gaffigan turn up as friends who loudly lament their terrible marriage and insult their two children. Burt’s New Age-y pal LN (Maggie Gyllenhaal) and her husband (Josh Hamilton) bliss out over their unconventional parenting choices. And they all exist strictly so that we can have a superior laugh at the expense of their ridiculousness.

Director Sam Mendes has a knack for salvaging smug screenwriting (see: American Beauty), and there’s a great late scene involving Burt consoling his brother (Paul Schneider) over being left by his wife. When Eggers and Vida abandon their circus of condescension, Away We Go soars. Too bad they couldn’t find a way to explore universally human fears while also including a few more people who were recognizably … oh, I don’t know, human.



John Krasinski, Maya Rudolph, Maggie Gyllenhaal
Rated R

Pin It

Speaking of...

  • Letters to Juliet

    True Love: Letters to Juliet is more than a sunny, romantic travelogue.
    • May 12, 2010
  • Ajami

    Crash Course: Ajami creates a vivid, authentic world that’s bleak but not oppressive.
    • Apr 28, 2010
  • The Losers

    The Also-Team: Every other minute of The Losers is stuff you’ve seen before.
    • Apr 21, 2010
  • More »

More by Scott Renshaw

  • Movie Reviews: New Releases for April 16

    Monday, Vanquish, In the Earth and more
    • Apr 15, 2021
  • Verse Chorus

    The virtual Utah Poetry Festival offers a chance to reflect on creating and presenting poetry in this unique time.
    • Apr 14, 2021
  • Viral Video

    Ben Wheatley's In the Earth explores the pandemic through the lens of a psychedelic thriller.
    • Apr 14, 2021
  • More »

Latest in Film Reviews

  • Viral Video

    Ben Wheatley's In the Earth explores the pandemic through the lens of a psychedelic thriller.
    • Apr 14, 2021
  • Binge No More

    The week-to-week rollout of Disney+ Marvel TV series is building momentum.
    • Apr 7, 2021
  • The Deep End

    French Exit is a delight, as long as it's not trying to strive for profundity.
    • Mar 31, 2021
  • More »

Readers also liked…

  • Simple Creatures

    The monster movie Sputnik can't deliver the subtext it promises
    • Aug 12, 2020

© 2021 Salt Lake City Weekly

Website powered by Foundation