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And So It Goes 

And So It Goes is too concerned with making sure we like its irascible hero

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And So It Goes
  • And So It Goes

In the opening moments of And So It Goes, Oren Little (Michael Douglas) visits the grave of his beloved wife. It's a scene that provides a humanizing context for Oren, since he's generally horrible to most of the people with whom he interacts—kinda casually (but vaguely adorably) racist, kinda casually (but vaguely adorably) self-absorbed, etc. And heaven forbid that, in a movie revolving around a character of that sort, we should spend more than 10 seconds worrying if we might ultimately fall in love with him.

It wasn't always this way. There were times when movies were OK with letting us gradually warm up to irascible, abrasive main characters who might require a little on-screen growing up before they're deserving of our—and, by extension, the romantic co-lead's—affections. Such was the case with Billy Crystal's Harry Burns in When Harry Met Sally ... (also directed by And So It Goes director Rob Reiner); such was the case with Jack Nicholson's Melvin Udall in As Good As It Gets (also written by And So It Goes screenwriter Mark Andrus). But in And So It Goes, we get to spend 95 minutes on the brutally tedious business of figuring out what the movie can't wait to tell us: that deep down, Oren's really a sad guy, not a bad guy.

Of course, all the characters in the movie aren't privy to our filmmaker-endorsed insight. Oren—a veteran Realtor in coastal Connecticut—just looks like a plain old a-hole to the residents of one of the small apartment complexes he owns, and where he's living himself while trying to sell his house. Among those residents is Leah (Diane Keaton), herself recently widowed and still prone to bursting into tears while singing standards at a local restaurant. All she sees in Oren is the guy who seems incapable of dealing with his son, Luke (Scott Shepherd), a recovering addict who is about to serve a short jail sentence. And Leah thinks even worse of Oren once he seems completely unwilling to take care of his 10-year-old granddaughter, Sarah (Sterling Jerins), when Luke drops her on Oren's doorstep before serving his time.

Naturally, Leah becomes the primary caretaker for Sarah, forging such a bond that Sarah asks to call her Grandma, while Oren is only able to make Sarah baloney sandwiches and plop her down in front of Duck Dynasty. But from such awkward initial connections are nascent romances born, and Oren and Leah become chummy despite the fact that Leah is awkwardly charming and insecure in a way that may be traditionally Diane Keaton-esque but is still appealing, while Oren is a total dick—though, lest we forget, a dick who watched his beloved wife slowly die of cancer.

And So It Goes plays out with machine-tooled ingratiating precision, directed by Reiner with the same twinkly absence of anything recognizably human that has characterized his movies for most of the past 20 years. It's designed to satisfy a weekday matinee crowd that doesn't really want to wrestle with anything unpleasant; when Oren tries to track down Sarah's heroin-addict mother, he finds her in a backlot version of The Wrong Side of Town, where the heroin-addicted mother can collapse in a sad heap right in front of the poor girl, as heroin-addicted mothers are wont to do.

But the main reason And So It Goes is so deeply irritating revolves around Oren, and the way Reiner and Andrus hold our collective hand through the process of making sure we realize he's only terrible enough a person to be comically terrible. Douglas has played plenty of stiff, entitled guys over the years—he practically became the personification of the Angry White Male in the early '90s—and he knows exactly when to switch from his gravelly growl to his crooked smile so he can provide some veteran chemistry with Keaton. That doesn't make the pile of audience-stroking nonsense around him any easier to take. If it wasn't immediately obvious, when And So It Goes introduces a very pregnant character, that Oren will somehow play a hilarious role in delivering the baby, you haven't been paying attention to how much this movie wants us to adore the old rascal.

Did we mention that his wife died? Of cancer? Very sad.


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And So It Goes
Rated PG-13 · 94 minutes · 2014
Official Site:
Director: Rob Reiner
Producer: Rob Reiner, Alan Greisman, Mark Damon, Liz Glotzer, Jared Goldman, Ron Lynch, Andrew Scheinman, Martin Shafer, Tamara Birkemoe, Grant Cramer, Shaun Redick, Raymond Mansfield, Vitaly Grigoriants, Remington Chase and Stepan Martirosyan
Cast: Michael Douglas, Diane Keaton, Sterling Jerins, Frances Sternhagen, Maurice Jones, Andy Karl, Austin Lysy, Annie Parisse, Scott Shepherd, Frankie Valli, Michael Terra, Sawyer Simpkins, Maxwell Simpkins, Luke Robertson, Meryl Williams and Rob Reiner
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What others are saying (4)

Portland Mercury Whatever Rob Reiner's And So It Goes may as well be Whatever. by Marjorie Skinner 07/23/2014
Creative Loafing Charlotte And So It Goes: And good riddance Rating: *1/2 by Matt Brunson 08/01/2014
Inlander Sympathy for the Old Devil And So It Goes is pathologically concerned with making sure we like its irascible hero by Scott Renshaw 07/23/2014
1 more review...
Colorado Springs Independent And So It Goes couldn't be more aptly named, for all its clichés It's designed for a weekday matinee crowd that doesn't really want to wrestle with anything unpleasant. by Scott Renshaw 07/23/2014

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