Support the Free Press | Facts matter. Truth matters. Journalism mattersSalt Lake City Weekly has been Utah's source of independent news and in-depth journalism since 1984. Donate today to ensure the legacy continues.
Black Bag, Novocaine, The Electric State, The Day the Earth Blew Up: A Looney Tunes Movie, Control Freak
Black Bag ***1/2
After a couple of underwhelming collaborations in Kimi and Presence, director Steven Soderbergh and writer David Koepp hit paydirt with a satisfying espionage caper that doubles as an effective portrait of relationship trust and fidelity. Michael Fassbender plays George Woodhouse, a British intelligence agent tasked with finding the mole who may have sold off a dangerous government technology—but when he’s handed the list of five prime suspects, it includes his wife and fellow government spook, Kathryn (Cate Blanchett).
Mickey 17, The Rule of Jenny Pen, Queen of the Ring, CHAOS: The Manson Murders and more
CHAOS: The Manson Murders **1/2
Generally speaking, Errol Morris’s documentaries have been at their best when he’s able to turn his Interrotron camera on interesting (and sometimes awful) people and just let them talk—which is why it seems so odd that Morris chooses to sideline the person who inspired this movie for so long. The title comes from a 2019 book by writer Tom O’Neill, inspired by his research into the infamous 1969 Southern California murders by members of the “Manson family,” and his subsequent theory that Manson was somehow connected to U.S. government research into mind control, perhaps as a way to discredit the anti-war movement.
The Monkey, The Unbreakable Boy, Oscar-nominated Documentary Shorts, No Other Land and more
Oscar-Nominated Short Films – Documentary ***1/2
This year’s crop of short docs is one of the best in recent memory, in large part because even when they’re approaching hot-button topics, they do so without being strident. Kim A. Snyder’s Death by Numbers deals with the legacy of the 2018 Parkland, Florida high-school mass-shooting, but does so through the compelling words of survivor Samantha Fuentes.
Captain America: Brave New World, Paddington in Peru, The Gorge, Bridget Jones: Mad About the Boy and more
Armand **1/2
There’s so much going on in this psychological drama from writer/director Halfdan Ullman Tøndel that I wish I could cherry-pick the interesting stuff, and leave behind everything that feels forced and unfocused. It opens after-hours at a Norwegian school, where Elisabeth (Renate Reinsve) has been called to a meeting about an “incident” involving Elisabeth’s 6-year-old son Armand and classmate Jon.
Love Hurts, I'm Still Here, The Seed of the Sacred Fig, Bring Them Down, Kinda Pregnant
Bring Them Down ***
In both narrative structure and thematic undercurrents, writer/director Chris Andrews takes familiar “revenge thriller” elements and twists them into something both viscerally gripping and heartbreaking. In contemporary Ireland, sheep farmer Michael O’Shea (Christopher Abbott) finds himself in a dangerous battle with his neighbor, Gary Keeley (Paul Ready), when he suspects that Gary has stolen two of Michael’s valuable rams and tried to pass them off as his own.
Train Dreams, The Things You Kill, After Life, The Alabama Solution, DJ Ahmet
Train Dreams ***1/2 [Premieres]
What does it mean to feel connected? That’s a question with dozens of different tendrils, and somehow it feels like co-writer/director Clint Bentley—adapting with Greg Kwedar a novella by Denis Johnson—manages to touch on nearly all of them in a sure-footed, emotionally rich drama.
Special screenings of Audience Award winners Sunday, Feb. 2
At a ceremony in Park City Friday morning, the Sundance Film Festival announced award winners in juried and audience categories for the 2025 Film Festival.
Peter Hujar's Day, Bubble & Squeak, Brides, Magic Farm, Serious People
By Scott Renshaw except where noted
Peter Hujar’s Day **** [Premieres]
When you describe the latest from director Ira Sachs as two actors performing the transcript of a 50-year-old interview, it hardly sounds like the stuff of stirring cinema—but Sachs turns it into something so layered that it feels like a major work. The interview in question was conducted on Dec. 19, 1974 in New York, when photographer Peter Hujar (Ben Whishaw) followed up on the request of his friend, writer Linda Rosenkrantz (Rebecca Hall), to chronicle in detail what he did the previous day, no matter how mundane.
By Scott Renshaw and Aimee L. Cook
Jan 31, 2025 7:00 am
Oh, Hi! ** [Premieres]
It’s kind of sad when the whole vibe of a movie suggests the idea that it’s clever and edgy, but instead it plays out as depressingly retrograde, and that’s kind of what you get in writer/director Sophie Brooks’ attempt at romantic farce.
By Scott Renshaw and Aimee L. Cook
Jan 30, 2025 6:55 am
Sorry, Baby; Selena y Los Dinos; Sally; The Ballad of Wallis Island; Didn't Die and more
Sorry, Baby ***1/2 [U.S. Dramatic]
There’s no “right” or “wrong” way to tell a story about the aftermath of sexual assault, and writer/director/star Eva Victor somehow crafts an affecting, improbably entertaining narrative out of the reality that there’s no “right” or “wrong” way to react to such an event. The story weaves back and forth through several years in the life of Agnes Ward (Victor), as she deals with being raped by her advisor while completing her thesis as a graduate literature student.
By Scott Renshaw and Aimee L. Cook
Jan 29, 2025 7:12 am
