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A unique female perspective on the message of Jesus elevates the Biblical drama
Mary Magdalene. Rich character study and a lovely sense of place elevate Kent Jones'
Diane. The 19th-century-set supernatural thriller
The Wind suffers from both a lack of scares and wispy thematic subtext.
MaryAnn Johanson finds a cartoonishly awful protagonist at the center of the animated
Missing Link. The gender-and-age-reversed spin on
Big winds up feeling like a kid's idea of grown-up life in
Little.
Eric D. Snider wishes the muddled reboot
Hellboy (pictured) could be sent back to the hot place to cook a little longer.
Also opening this week, but not screened for press: the youth-skewing romantic drama
After.
In this week's feature review,
Transit turns its sort-of-a-period-piece into a warning about not learning lessons from the past.