Concert review: Wynton Marsalis & the JLC Orchestra | Buzz Blog

Tuesday, February 8, 2011

Concert review: Wynton Marsalis & the JLC Orchestra

Posted By on February 8, 2011, 9:32 AM

  • Pin It

You don't have to know jazz music to know you're in the presence of greatness when Wynton Marsalis and the Jazz at Lincoln Center Orchestra take a stage.---

Not that Marsalis puts on any airs; if there's a more down-to-Earth legendary frontman out there, I'd like to see him. In fact, calling Marsalis a frontman isn't even accurate. He sits in the middle of the back row of the 15-man group, chatting and laughing throughout the show as other musicians take solos, picking up a microphone after each song to call out orchestra members to take a bow after delivering particularly scintillating performances. And when he delivers one of those fiery solos himself, he doesn't make a huge deal out of it, preferring to give his fellow musicians the spotlight.

Monday nights show packed Kingsbury Hall for an evening focused on a set of original Marsalis material called the Vitoria Suite, on which he uses the blues as a foundation for exploring the music of the Basque region of Spain and the blues and jazz of America.

What did that mean for us, the listeners? Simply two hours of incredible playing from everyone involved. The opening piece, "Inaki's Decision," moved easily from frantic blasts of trumpets, saxophones and trombones into a subtle breakdown of just bass, piano and drums. "Deep Blue (From the Foam)" featured the potent playing of Kenny Rampton, whose mother was in the house, inspiring Marsalis to talk about how "when your mama's in the house, you play with some extra soul." And, indeed, Rampton proved to be one of the aces of the night, repeatedly reeling off stinging solos with his instrument.

While all the musicians had a chance to shine, a few certainly stood out. Sax-men Sherman Irby and Ted Nash both had multiple memorable moments, as did standup bassist Carlos Henriquez, who contributed a song inspired by the band's trip to Cuba. Baby-faced Dan Nimmer, the 29-year-old pianist, held his own with the seasoned players on stage with him, and the crew's senior member, Joe Termperley, delivered a stirring, soulful rendition of Duke Ellington's "The Single Petal of a Rose" on his bass clarinet.

The show ended with Marsalis leading just a few members of the orchestra through an encore that featured the band leader in fine form. I'm sure the show had to please the hardcore jazzbos in the house, and it certainly served as an eduction for this neophyte.

Tags: , ,

On Topic...

More by Dan Nailen

  • Too High to Die

    Youthful indiscretion leads to a lifelong obsession with the Meat Puppets.
    • Mar 22, 2017
  • Life-Changing Experience

    Hendrix tribute brings Jimi's old bass player and amazing cast of guitarists to Utah.
    • Mar 1, 2017
  • Him Again

    Howard Jones is an '80s icon, Utah stalker and a one-man gateway to synth-pop's glories.
    • Jul 6, 2016
  • More »

Latest in Buzz Blog

  • Movie Review: Dumbo (2019)

    Disney's latest remake doesn't understand the soul of its predecessor's appeal
    • Mar 26, 2019
  • Defending the Future

    Utah students, environmental activists ask guv to request the deferral of parcels in BLM’s March Oil and Gas Lease Sale.
    • Mar 25, 2019
  • ‘A Long Way to Go’

    Biskupski awards three local trailblazers at Women’s Leadership Awards.
    • Mar 21, 2019
  • More »


Subscribe to this thread:

Add a comment

© 2019 Salt Lake City Weekly

Website powered by Foundation