Back
out onto Gallery Stroll we go. Spring finally hit the air, and
including the temporary addition of the Subterranean Lounge at
Slowtrain, Broadway was hopping! An overall good night to be out
and about, and for this month's event we make our way up a few blocks
up to South Temple.
--- Last time we were at Alpine Art was in
June and they were doing bi-monthly shows. Now becoming a regular
along the route we return to cover a four-artist show. Today we chat
with graphite designer Regina Stenberg, bold painter Tyler Bloomquist,
abstract works from Carlisle and landscapes from Steven Sheffield.
All with photos of their works and the events from the evening, which
included seeing the house DJ work his magic with a laptop and an iPad
synced up. Hard to describe in full, but take a look at the photo,
it'll all make sense.
Regina Stenberg
Gavin:
Hey Regina! First off, tell us a bit about yourself.
Regina:
I am a mother of two, a wife, and an artist. I have always been
inspired to create art, it is how I express myself best, and it’s
an important outlet for me.
Gavin:
What first got you interested in artwork and landscape architecture,
and what were some of your early inspirations?
Regina:
Although I started as a Fine Art major in college, my degree is in
Landscape Design because I thought it would allow me more commercial
opportunities. I was very lucky to work for some great architectural
firms, and I was inspired by the idea of working on projects that
could perhaps provide enjoyable outdoor experiences.
Gavin:
You went to the University of Connecticut for your Bachelors. What
made you decide on the UConn, and what was their program like for
you?
Regina:
I grew up in Connecticut, and the University of Connecticut was a
natural choice, it is a great state school. I enjoyed studying
there, they had both great fine arts and landscape design
programs.
Gavin:
What made you decide to heard to Italy to study at Scuola Lorenzo
de’Medici, and how was that experience?
Regina:
I went to art school in Italy because Florence is such a hub for art
history, and I believe to understand contemporary art, it helps to
understand the history of it all. I was fortunate to study under
some very talented individuals, and to travel a little with friends.
It was a wonderful experience!
Gavin:
Given the work you do and the places you've been, how did you end up
coming to Utah?
Regina:
I came to Utah in 2005, and the stunning scenery absolutely blew me
away! I was completely overwhelmed and inspired by the natural
beauty around us here. It was at this point that I decided to pursue
my longtime dream to be an artist, and began painting and drawing
landscapes.
Gavin:
How did the opportunity come about to work with the Salt Lake School
District, and what exactly is your job?
Regina:
I have two children in the Salt Lake School District, and I am a
volunteer art teacher at their school. It’s a great program, all
of the volunteers are so committed, but I always wish we had more
supplies and more room. As we all know, art is so important for
children, the more opportunities for expression children have, the
healthier they are.
Gavin:
How did you start making artwork pieces out of graphite?
Regina:
I started using loose graphite for drawings a few years ago, I have
loved working with it! I am typically a painter, and I think I apply
the graphite in a painterly process. I really like the looseness and
immediacy of it.
Gavin:
Whats the process like for you in creating a piece, and is it more
trial-and-error or very planned out?
Regina:
Well, I typically do some planning, but then the drawing starts
directing me. I develop the composition by making a few small
sketches about an idea, and I refer to photos of clouds for shapes
and patterns. To begin the drawing, I cover my fingers with a cloth,
and then apply graphite to the cloth, then I begin working on
watercolor paper. Because I can feel the paper through the cloth
over my fingers, I feel very connected to the process. The surface
of the paper, as well as the space within the drawing, becomes
densely worked.
Gavin:
What persuaded you to start showing the works off at
exhibitions?
Regina:
My great friends and family have always given me positive feedback
about my drawings, and they encouraged me to show my work in
galleries.
Gavin:
What's the reaction been from people when they see these
works?
Regina:
My drawings are pretty uncomplicated. I think they evoke a
sensitive, calming feeling.
Gavin:
Tell us about the works you have on display for this
Stroll.
Regina:
All of the pieces I’m showing at Alpine Art Gallery are graphite
drawings of clouds. From a distance they might look like a black and
white photograph, but the process is actually a very timely ,
contemplative one, as opposed to the speed of a snapped photograph.
I think we all have a nostalgic reaction to both clouds and to
subjects in black and white. The overall effect is a rich, soft
drawing about the subtle changes in cloud patterns.
Gavin:
What's your take on being displayed at Alpine Art along with Tyler,
Carlisle and Stephen?
Regina:
I am honored to be showing at Alpine Art Gallery! It is such a
beautiful space, and I find myself continually captivated by the
artwork exhibited there. I first visited for a Gallery Stroll, and
the place was going off! There was a wonderful crowd, a great dj,
and incredible refreshments…my first thought was “wow, they do
things right here!” I was fortunate enough to meet Lyndsie, the
director, and I immediately liked her wit and enthusiasm. I knew she
was someone I would like to work with. I am thrilled to be showing
with Tyler, Carlisle, and Stephen. I have had the opportunity to see
their work, and I am truly impressed with them all.
Gavin:
Going local for a bit, what are your thoughts on our art scene, both
good and bad?
Regina:
I think the art scene here in Salt Lake is great, the community
seems so interested and supportive. I love Gallery Stroll! It’s a
perfect way to get people who might not normally visit a gallery to
go.
Gavin:
What can we expect from you throughout the rest of year?
Regina:
I will have additional unique work on display at the Finch Lane
Gallery in September.
Tyler
Bloomquist
Gavin:
Hey Tyler! First off, tell us a bit about yourself.
Tyler:
My name is Tyler Bloomquist and I am 29 years old.
Gavin:
What first got you interested in painting, and what were some of
your early inspirations?
Tyler:
"Sesame Street" pinball countdown, architecture, Francis Bacon, hand
painted signage, city decay, Joseph Muller-Brockmann, Godard cinema,
music, complementary colors, tension, sunshine, my list of influences
could very well be endless and change on a daily basis.
Gavin:
You're currently studying art at the U. What made you choose their
program, and what's it been like for you earning your degree so
far?
Tyler: I
had floated around in and out of school at the U for a while, and
decided to make art more ingrained in my head. I have enjoyed the
program so far, my homework is drawing, how could you not enjoy
that?
Gavin:
I understand you also work for the U's Museum Of Fine Arts. How did
the opportunity come about to work there?
Tyler:
Thank the U.S. government and their work-study program. I was in the
right place at the right time.
Gavin:
What drew you to start doing paintings as your main artform?
Tyler:
I am not sure if I would designate myself as a painter. I enjoy many
mediums and surfaces and enjoy the process of creation.
Gavin:
A lot of the material is made up of simple shapes in different
colors. What made you decide on that type of style?
Tyler:
While I am getting my figurative work up to par, I figured I would
try to understand the problems of color, space and composition and
that somehow this will inform my other work.
Gavin:
Whats the process like for you in creating a piece? And do you
detail where things will end up, or is it more experimental?
Tyler:
I usually just sit with a pen and paper and let the hand go. I feel
that my work and aesthetic is not that original, so I am trying to
take different approaches to what a painting is. I am experimenting
with taking a collage approach to painting by laying painted, cut out
stripes of canvas onto the raw canvas, adhered with gesso. I am
trying to use the language of painting to speak the language of
collage, but in daily discourse, we often have communication
breakdowns, so we shall see.
Gavin:
What persuaded you to start doing exhibitions, and what's the
reaction been from people when they see these works?
Tyler:
I am grateful for every opportunity to show work and thank you to
all who have allowed to show in their space. I have had positive
responses to my work, but I really enjoy constructive criticism and
dialogue about my work and art in general, which I feel keeps me on
my toes and the ball rolling.
Gavin:
Tell us about the works you have on display for this Stroll.
Tyler:
Some old work, which feel like sketches or maquettes, and some new
which have varying mediums and approaches.
Gavin:
What's your take on being displayed at Alpine Art along with Regina, Steven
and Carlisle?
Tyler:
I am not to familiar with their work and am excited to view their
work and share wall space with them.
Gavin:
Going local for a bit, what are your thoughts on our art scene, both
good and bad?
Tyler:
Pros and cons are subjective just like one's taste in music or art.
I am just glad there is an art scene to have an opinion
about.
Gavin:
Is there anything you believe could be done to make it more
prominent?
Tyler:
Maybe more open mindedness and awareness of the contemporary scene
around the world. I know that word "contemporary" has a stigma that
comes along with it and that people seem to be a bit intimidated
about things they might have never seen before or don't understand,
but that's just human nature, but so is curiosity too.
Gavin:
What's your take on Gallery Stroll as a whole and how its doing
today?
Tyler:
It's sixes. I enjoy seeing new work, people watching and free
strawberries. Sometimes I do think it gets to be a bit repetitive. I
have some ideas but no money, so what do you do?
Gavin:
What can we expect from you throughout the rest of year?
Tyler:
Wow, pressure and expectations in my first interview. I am just
going to keep plugging along at school and trying to make something
everyday. I will be showing some work, probably figurative, at the
Sweet Library branch in November/December. If anything else comes
along, thank you for the opportunity ahead of time.
Gavin:
Is there anything you'd like to plug or promote?
Tyler:
A big thank you, Gavin, for plugging me. A humble thanks to those
who have shown support to me and/or my work throughout the years.
Thank you to life for being
you.
Carlisle
http://www.carlisleart.com/
Gavin:
Hey Carlisle. First off, tell us a bit about yourself.
Carlisle:
There actually seems to be a resemblance between me and my work in
many ways. Possibly a bit obscure at times, but peppered with
colorful, defining moments.
Gavin:
What first got you interested in painting, and what were some of
your early inspirations?
Carlisle:
High School was the beginning of my painting. I needed to somehow
express myself individually and creatively. I have always leaned
towards abstract, it being free of any restrictions. Hard edge as
well as pen and ink were my original preference. My inspiration is
somewhat nebulous. I begin with line, to form, to color, as do all
painters, but continue by feel rather than sight.
Gavin:
Did you seek out any college for art studies, and if so, what was
that program like for you?
Carlisle:
College seemed to be a perfect fit, so I continued studying art and
there began to gain a sense of direction. After studying in New
York, that direction became very clear.
Gavin:
Considering the genre of art and how freeform most of it is, was
there any hesitation on your part that people might not appreciate it
for what it was?
Carlisle:
Abstract can be difficult for many. It requires looking through
imaginative eyes instead of those of the familiar, but allows us to
add body to our cognitive, visual and emotional collection. I think
slowly people are beginning to appreciate and understand abstract
art. This world is a little abstract in and of itself, possibly
helping that along.
Gavin:
What's the process like for you in creating a piece from idea to
final product?
Carlisle:
I feel it is thought that abstract is easy to create. It is quite
the opposite. What one stroke creates directs what is to come next,
and so on it goes, relying on mindful creativity and feel alone; and
admittedly, sometimes a very daunting task. Balance, weight,
distribution and depth of color, symmetry or lack of, thickness of
line, sense of form, interest and friction all play a part in this
creative process.
Gavin:
For you personally, is there any set plan as to what it will look
like, or is it more experimental as you go?
Carlisle:
I never know the outcome until it arrives. But when it does, it's
amazing.
Gavin:
Tell us about the works you have on display for this
Stroll.
Carlisle:
This show is about having license to express whatever I want, and
however I want to do that.
Gavin:
What's your take on being displayed at Alpine Art along with Steven,
Regina and Tyler?
Carlisle:
The other day at the studios Regina and I happen to pass each other
in the hall which led to an introduction and informal conversation
about each of our work. I was very impressed by her personally as
well as her work. I'm looking forward to getting to know her better.
I have not yet met Tyler.
Gavin:
Going local for a bit, what are your thoughts on our art scene, both
good and bad?
Carlisle:
The Salt Lake Art Scene? Maturing at a rapid pace. And it's so
great to be a part of it. Salt Lake is an amazing place to live and
be, especially from an artistic perspective.
Gavin:
What's your take on Gallery Stroll as a whole and how its doing
today?
Carlisle:
Salt Lake Gallery Stroll has certainly become the "hip"
thing to do and be a part of. We are lucky to have an organization
like "The Stroll" to support our Arts. Having intellectual
and emotional experiences like these available, certainly benefit us
all.
Gavin:
What can we expect from you throughout the rest of year?
Carlisle:
This year started out remarkably, and it seems to be continuing.
I'm thrilled and working hard to keep that energy flowing.
Gavin:
Is there anything you'd like to plug or promote?
Carlisle:
Check out the Ogden Gallery Stroll in August. Hopefully I'll see
you there.
Steven
Sheffield
http://stevenksheffield.com/
Gavin:
Hey Steven, first off, tell us a bit about yourself, and what first
got you interested in painting?
Steven:
I've been painting/drawing since I was very young. I had a
grandmother and aunt that encouraged me with gifts of paper, pencils
and paint. I think I received my first set of watercolors in High
School, and I was hooked. I tried oils in high school but they took
too long to dry and were messy; I only came back to them in the last
ten years. I love the transparent qualities of watercolor. They do
have their drawbacks, I don't plan my paintings out, I let them
dictate the journey; not easy to do in a medium where you have to
save the whites from the beginning.
Gavin:
For college you've been up and down the Wasatch Front. What's that
been like in seeking out your art degrees?
Steven:
I started as an art major at Utah State University, spent one year
in their program, went to the University of Utah of a year and then
to BYU finishing in American Studies, Art, and Accounting. I loved
to paint but wasn't sure I could make a living on my art and decide
to go to graduate business school... my Master's degree is in Business, not painting. I didn't paint for the years while I was in
graduate school. Soon after I graduated my mother encouraged me to
take a watercolor class through the community education program.
The teacher was Lucille Cannon, a wonderful painter and a great
friend, she encouraged me to join the Utah Watercolor Society
(UWS).
Gavin:
Of the different forms of painting, what made you choose watercolor
as your primary source?
Steven:
UWS encouraged all forms of watermedia and it was through that
organization that I spread my wings and began exploring more abstract
work. I was president of UWS in 1996-1997 and then co-chairman of the
Western Federation of Watercolor Societies (WFWS) in 2000-2001, which is a
group of ten watercolor Societies from Texas to California. UWS
brought in nationally recognized painters several times a year to
teach workshops and I took as many as I could. By the time I
finished by nine years on the board I had moved to more abstract and
a simplified form of painting. It was while on a trip to San Diego
for the WFWS I discovered YUPO, a synthetic paper, and haven't used
traditional watercolor paper since. It allowed me to be free with my
watercolors because nothing soaked into the paper, no planning was
required.
Gavin:
As you've told me prior, you like to change up your works and styles
frequently. Why do you choose to change so often, and what impact
does that have on you going from say, abstract works to
landscapes?
Steven:
I love changing it up; I have several styles and mediums I work in.
I still do traditional watercolors on location; I taught a watercolor
class in Italy last year. I do larger acrylic abstracts and more
stylized landscapes in oil. I never get bored, I like to try new
things, new approaches, new palettes of color.
Gavin:
Tell us about the works you have on display for this
Stroll.
Steven:
The series that were featured last night began as a way to paint my
way out winter. I used bright colors, lime green... I rarely use
lime green; but it seemed to brighten my spirits and I did 10
paintings in a month... "The Rites of Spring" series. I paint a
lot; I'll paint a hundred pieces in a year.
Gavin:
Going local for a bit, what are your thoughts on our art scene, both
good and bad?
Steven:
I currently have a studio at Artspace City Center, where I paint and
teach; I've been teaching since I took over a classes for Lucille
Cannon 17 years ago. I'll be moving my studio soon. The rent there
keeps going up and up. I'm not sure Artspace had much to do with Art
any more, approximately 80 % of their space is apartment rentals. I think
they have lost their way. I wonder if the director, who reportedly
makes a hundred thousand a year even knows what their mission is
about.
Gavin:
What's your take on Gallery Stroll as a whole and how its doing
today?
Steven:
I love Gallery Stroll, unfortunately I open my studio for Gallery Stroll so I don't get to go on Gallery Stroll. I miss it, I love to
see what's new, what others a doing. I think Utah, Salt Lake has a
thriving art scene for the city of it's size. I do think a lot of
good art is exported form Utah.
Gavin:
What can we expect from you throughout the rest of year?
Steven:
I'm currently working on a couple of large commission pieces and am
planning another group show at Alpine this fall.