click to enlarge
If
you’re somewhere in your late 20’s to early 40’s, most likely
you’re with 98% of the world where the first time you ever heard
Nirvana was through the audio explosion that was “Smells Like Teen
Spirit” and the inconceivable chart topper Nevermind. But
while the band was being trumpeted as the dawning of a new age in
rock and subsequently made the unofficial leaders of grunge, some
fans were discovering that the trio actually had a prior album. --- It
didn’t get much attention until the MTV Unplugged show and the
famous opening line “this is off our first record, most people
don’t own it.” A statement that shot the album up in sales,
eventually gaining platinum status and helped cement Sub Pop as a
mainstream success five years later. To date its one of the most
successful albums in the history of the company. But at the time of
its release it garnered very little praise and Nirvana as a group
were looked at as an enigma that the label didn't know what to do
with.
click to enlarge
Sounds very strange, but a glimpse back to the early
days of Sub Pop gives insight. The label was catering to heavier
sounds and picking up bands influenced by the 70’s Punk movement,
or at least the bands of the movement who didn’t turn into New Wave
or Pop. TAD, Green River, Mudhoney, Blood Circus and Soundgarden all signed on and
helped established it as the underground spot to be in if you were in
the Western US. A label that allowed and encouraged heavier rock and
punk music… what band couldn’t resist, especially with the scent
of hairspray in the air. After playing around and having a solid set,
Nirvana made their way into Sub Pop in 1988. They quickly put out the
“Love Buzz” single and got to work on their first LP. But
for the sake of repeating what dozens have already written in
biographies, let’s skip the finer details and the grand history
lesson.
click to enlarge
Bleach isn’t just some random rock album
sitting in the grunge section, its an experience to be had. Which may sound grandiose but before you dismiss the idea just ask
yourself this one question: When was the last time you listened to
the album from start to finish without pausing or skipping? Think
about it, or better yet if you own a copy, go try it. Mark your spot,
I can wait. …When you give the album a chance its pretty easy to
get through the first five tracks, they’re the ones you usually see
in live concert footage around the net and have become popular
favorites. But once you hit “Paper Cuts” it stops being your
average rock album and turns more into what could best be described
as a musical experiment. The songs twist and wrench, the vocals
become hollow, the beats become near subservient and the lyrics
skewered. To the point where sometimes you no longer listen to the
song, you focus on the cheap sound of the guitar they purchased from
the pawn shop down the street the day before. Or the obscure lines
that were thrown together on a notebook during the ride to the
studio. Or even the notion that Nirvana was like every other band
starting out and they were just trying to make it sound good.
click to enlarge
At
the end of a full listening you realize that its barely a grunge
album and sounds more like an artistic collision put to audio. Much
like the shaving cream dolls and pornographic collages Cobain used to
make in his low-rent apartments during this period in his life. While
the songs hadn’t been fully formed beyond chord structure, there
was a hint that Kurt, Krist and even Chad to some extent were
planning something specific with the music. What exactly that was we
may never know. The full concept of it is partially destroyed as
Sub Pop co-founder Bruce Pavitt asked producer Jack Endino to
rearrange the track listing to make it “more listenable”, and
even dumped songs in the running for final press that included “Been
A Son”, “Big Long Now”, “Polly”, “Imodium” (later
Breed) and “Spank Thru.” Just that tidbit of knowledge gives
cause to wonder what would have been for the band and their
breakthrough in 1991, if any of that ended up happening. But
whatever the case may be, even in its final product the album sounds
very different to anything in the Sub Pop catalog, showing promise yet
to come while also serving as a footnote in the genre's changing
sound. All of which would be brought to light a few years later.
click to enlarge
On
November 3
rd the Seattle label will be marking the 20
th
anniversary of the album’s release by issuing a
Deluxe Edition.
Featuring Endino’s remastering of every single track, including
“Big Cheese” and “Downer” which were cut off the original LP
and Cassette versions. Included with the album is a complete live
performance from the Pine Street Theatre in Portland circa February
1990, two months before Channing was kicked out as drummer.
To celebrate the occasion,
Slowtrain will be playing the entire album
Tuesday night as part of a listening party, which includes some cool giveaways from the label, all starting at 6PM. Almost
the same way Cobain recalled in interviews of Olympia parties and
gatherings to play new music for the public to check out. Go
listen and enjoy the experience.
click to enlarge
(Photos by Alice Wheeler and Charles Peterson)