Back
to Gallery
Stroll
I go, making my way to the west side of Broadway for a dual show held
in an old gallery with a new location.
--- Palmer’s Gallery
played host in its new location across from Pioneer Park for this
past Friday's stroll, showcasing two artists in their main gallery.
The conceptual oil work of Sandi Olson, and the whimsical water color
paintings of Catherine Darling Hostetter. I got a chance to step in
on Friday night to take some pictures, and also chat with both
artists about their work, thoughts on local art, the Stroll, and some
other topics.
Sandi Olson
Gavin:
Hey Sandi. First off, tell us a little bit about
yourself.
Sandi: I am originally from New
England. I started painting about 15 years ago and work in
traditional watercolors, mixed media and oils. I have a
studio in Rockwood Art Studios, Sugar House, where I paint and teach
classes. When I'm not painting, I'm gardening, mountain biking,
road cycling, playing tennis, skiing--aaah, the life of an indulged
artist!
Gavin: What first got you interested in
doing art for a living, and what were some of your
inspirations?
Sandi: A friend got me involved in
a watercolor class. I never expected to do anything much more
than take classes, but within a year I had been accepted into the
Springville Salon! And then another show. That
inspired me to enter more shows and, as a result, paint more.
My inspiration and motivation still comes from having shows,
festivals, galleries, or other venues.
Gavin:
Did you take any education for what you do?
Sandi:
I have no degree in art and have always considered myself a "poor"
student. I seem to be very resistant to "learning"
art from anyone. I have dropped out of many learning
situations--including my first classes with my friend! But
there have been two events that were spring boards for
me--Summer Snow at Snow College in Ephraim, and the Intensive Studies
Seminar in Taos, NM. In Ephraim I learned all the
"rules," and in Taos, I learned to throw them out!
Gavin:
For those unfamiliar with your work, what are you most known for in
the local art community?
Sandi: I don't know
what I'm most known for in the local art community!
I'd like people to know me for my newer creative process which is a
unique, gesso-based style. It's conceptual and a bit more
abstract and is based on people, dance and music. All my work
is from my head (conceptual), and I seldom use reference
material.
Gavin: A lot of the paintings I’ve
seen from you are more outdoors and wildlife. What inspired you
to do that kind of artwork?
Sandi: The outdoors
and wildlife themes you refer to must be traditional watercolors
I've done in the past. For many years I painted things to
sell at the Farmer's Market so I painted sheep, cows, landscapes.
I also create horse paintings in the gesso-based, abstract
style. Inspiration for those came because I had a
festival in Bozeman and needed appropriate themes. Yes, I
pandered to my audience.
Gavin: It seems you’re
constantly doing shows almost every month. Do you do all the
shows out of necessity as an artist, or more for the enjoyment of
showing people your work?
Sandi: Basically I love
doing shows! This year I tried to schedule as many shows as I
could reasonably paint for. I don't feel I show my work
out of the necessity as an artist. Having goals motivates
me to continue painting, even through the hard times. But my
future goal is to "leave the audience" wanting more.
This means not being so available.
Gavin: Tell us
about the display you’re showing for the Stroll.
Sandi:
I'm very excited about this show, but I'm also a bit intimidated
because I've never shown a large body of this type of work. I
loved planning for this exhibit of mixed media and oil
paintings. I wanted to keep with the figure theme because that
is how I'm represented in Palmer Gallery. All of the paintings
have "found" figures in them. Some of the figures are
more subtle--a patron thinks they are looking at a door painting
until they discover the figures in the wall. An artist's goal
should be to hold the viewer's eye for more than a few seconds.
I'm going to be checking this out during the show. Yikes!
This could be humbling!
Gavin: Where did the idea
come from to do a dual show with Catherine?
Sandi:
Catherine Hostetter and I have known each other for a few years.
We've shown together at Local Colors, are both members of the Utah
Watercolor Society, and painted together. She's been very
supportive in all aspects. Somehow we just came together on
this--actually Ricky may have suggested that she was scheduling a
show. It's really, really nice to know the person you’re
exhibiting with and know she supports you and your artwork!
Gavin:
What’s your take on the local art scene, both good and bad? And is
there anything you believe could be done to make it bigger or
better?
Sandi: I love the local art scene--there
are so many events all the time. Utah has so many great
artists, great venues and great patrons. The one thing I wish
is that art openings would be on Thursdays, as well as
Fridays or Saturdays. There are SO many events on Fridays
and Saturdays that participation gets diluted. Also, I wish
there was a short Trib or DN newspaper column that would feature
individual local artists--not just the best known artists.
Gavin:
What are your thoughts on Gallery Stroll and how it’s evolved over
the years?
Sandi: I think the art stroll is
wonderful -- the Gallery Association has done a great job with it.
Of course, it almost has a life of its own now because we have
such supportive patrons! I would like to see it expanded
(different Friday, of course) to other areas, such as Sugar House
where there are many studios/galleries. Several years ago I
attempted to organize Second Friday art strolls, with minimal
success after 9 months. But I could see very positive things
and think it would work with Gallery Association behind it.
Gavin:
What can we expect from you the rest of the year?
Sandi:
I have one more exhibit this year during Gallery Stroll. It is
at Charlie Hafen Jewelry and Gallery in November/December. I
also like to do a holiday festival at St. Mary's in Park City.
Other than that, I think I'll focus on plein air landscapes for the
rest of the year. And, of course, plan next year's
schedule.
Gavin: Is there anything you’d like
to plug or promote?
Sandi: I would like to take
this opportunity to promote a couple of things. I exhibit at
the Juniper Sky Gallery in Kayenta (outside of St. George), as well
as Palmer Gallery. Juniper Sky has a wonderful
website where their artists' work can be seen: CoyoteGulchArtVillage.com. Also, I am planning to begin
teaching in my Sugar House studio after a 2 year sabbatical.
Interested persons can contact me at sandiolsonart@hotmail.com,
or 467-3694.
Catherine Darling
Hostetter
http://catherine-pure-art.tripod.com/
Gavin: Hey Catherine. First off, tell us a
little bit about yourself.
Catherine: I was born and
raised in the Salt Lake Valley and interested in art from an early
age. In first grade, I did my math homework in the rainbow of
Crayola, until my teacher asked my mom at parent teacher conference
to put a stop to it. Years later, I found out that my art teacher and
mentor Donald P. Olsen was the husband of my 1st grade teacher! I
still to this day puzzle how the wife of such a noted Utah artist
could restrict young budding talent. I have 5 kids that are
supposedly grown up (a mom can say that with a smile) and
great guy in my life that supports me in my art and sings like an
angel.
Gavin: What first got you interested in doing
art for a living, and what were some of your
inspirations?
Catherine: I have always wanted to do art
for a living, but it wasn't until 1999 that I started seriously
heading in that direction. I didn't know anything about the art
business, so my first step was to join the Utah Watercolor Society. I
figured that by associating with other artists, I could learn about
becoming an artist. It was one of the best things I ever did! They
offered workshops and monthly demos and best of all I made friends
that freely gave advice. It is really a super network. From my
associations there I was invited to join Local Colors gallery, an
artist's cooperative, where I had the freedom to test the market with
my art and find my own 'voice' in my artwork. I am still very much
involved with LC which has now evolved into Local Colors of Utah,
located at 535 So. 700 E. in SLC. It was directly because of
belonging to an artist society that I was invited to show my work at
Palmers Gallery. Palmers has been more than generous in hosting UWS
juried shows as well as Intermountain Society of Artist (another
group I belong to) in which I have participated in. Ricky
Hansing, Palmers gallery director is wonderful to work with and it
was his invitation that got me in there, which may not have come
about had it not been for UWS. My involvement in UWS has
grown with each year, and this year I am serving as the
President!
Gavin: I read that art tends to follow in
the family; can you tell us about your previous relatives who were
involved in art and what they did?
Catherine: My mom
dabbled in art, so I am thankful for the inspiration she gave me. I
come from pioneer stock and had great grandfathers that were stone
masons and sculptors. They worked on several LDS temples and there's
some mighty fine work done on the Nauvoo, Salt Lake and Manti temple
that can be attributed to my family, not to mention beautifully
sculpted headstones in Utah cemeteries.
Gavin: For
those unfamiliar with your work, what are you most known for in the
local art community?
Catherine: My work tends to lean
towards the whimsical mixed with a bit of humor. I have used patterns
a lot in my work that makes it distinctive. Currently I enjoy weaving
in quotes of famous authors with my work. People throughout the ages
have said some really great things that I find inspiring. I
always attempt to put something in my paintings that imparts a
feeling of well being.
Gavin: You seem to do everything
from straight-forward portraits to whimsical paintings. Why
choose to paint in so many different forms instead of focusing on a
specific form?
Catherine: I love work that is
beautifully done, like the classic masters of old. I continue to
strive at improving my abilities and believe as an artist, you must
have the foundation of knowing how to draw well and understand the
fundamentals of what makes good art. I am continually working to
improve my talent. While I am honing it, on occasion I find it
necessary to do more classic approaches to my subject matter.
But...there is something quirky in me that has to do the whimsical. I
love letting my imagination direct my art and my style is what I term
as whimsical realism. If my kids were to quote me on anything, it
would be what I usually say after I painted something: "You
don't think it's too weird, do you?"
Gavin: Aside
from Utah, you sell a lot of your work via eBay. How did that
decision come about, and is there a great demand for artwork on
eBay?
Catherine: In 2001 I decided it was time to start
marketing my art in the community. I entered the Sugarhouse 4th of
July street festival. I worked like crazy the 3 months before
it to have an inventory. At that time I was doing watercolor
paintings. The day arrived and I excitedly set up my booth. I sat
there all day smiling. It was 104 degrees, but I still sat there
smiling at everyone. I only sold one small painting for $15 that day!
I thought to myself, what am I going to do with all these paintings
now? I decided I would give eBay a try. I am not one to just jump in
and do it, so I researched and learned all about it. I was also
working full time as an administrative assistant, so I only had
evenings to devote it. Finally I was ready to list my first
auction! It just happened to be September 11th, 2001. That evening
with the television recapturing that fateful day's events, I was
trying to put my first auction together. I only had a free dialup
connection (slow, very slow) and finally after putting all of the
elements together, I listed my auction just a few minutes
after midnight.
Catherine: Ebay has been pretty good to
me. When a family crisis forced me to quite my job to be at
home, I became a full time artist with eBay as my only marketing
outlet. I found that to make any money, I had to paint fast
and learned I could sell acrylic paintings for more money than
watercolors. Some people have done really well on eBay selling their
art and have become trendy to collect and there is a potential
to make good money. As a full time artist it has been a great
supplement to my income while I develop my following with my gallery
work. My theory for my eBay work is paint it fast, sell it at a rate
that it moves consistently and get paid several times a week. Like
any job it takes a lot of hard work. But I really love selling to
people all over the world, and have a lot of repeat customers. As I
began to expand locally and was accepted into galleries, I felt a
need to make the art that I sell on eBay different from what I
sell in the galleries, in respect to them. My artwork on eBay is what
I call modern folk art, definitely whimsical, and more simplistic
than my gallery work.
Gavin: Tell us about the display
you’re showing for the Stroll.
Catherine: My mom
passed away this summer and I had a really hard time preparing for my
show at Palmers. As I mentioned previously I love quotes from
favorite authors. I was having a difficult time deciding what
the theme of my show should be and found that including the quotes in
my artwork helped me to get started with painting for my
show, because I didn't have to think so much. (Thinking too much can
be dangerous!) As I painted, I found my art evolving. I had started
out painting in muted colors and then after painting several pieces,
I began to paint in more vibrant colors. I work in acrylic and I
decided that I wanted to incorporate some of my watercolor techniques
using acrylic in my art. So the work went from opaque and muted
colors to vibrant, more transparent. It felt really good!
Gavin:
Where did the idea come from to do a dual show with
Sandi?
Catherine: Last year when I was accepted into
Palmers, I suggested Sandi approach Ricky and see if he would accept
her work. She did and we ended up scheduled to have a show together.
Sandi is a great friend and a wonderful artist. She has been one of
those friends that freely shares her art knowledge and one thing I
really love about her, is how fun it is to talk about art together.
We can go on for hours.
Gavin: What’s your take on
the local art scene, both good and bad?
Catherine: I
think Salt Lake has a wonderful art scene. I have been a faithful
gallery stroller for years and I think the quality of art we have
here is amazing. I attend as many art functions as possible, from
venues at the Museum of Art at the U, to Poor Yorick's quarterly open
studios. I love the fund raising events that feature art,
like Community Nursing's Art and Soup. We are really rich in art
culture. The only bad thing I can think of is there is not enough
money for the public schools to facilitate more substantial art
programs.
Gavin: Is there anything you think could be
done to make it bigger or better?
Catherine: To make
anything grow you need support. We have a wonderful community of
patrons. I'd like to thank everyone who buys art, and encourage those
that haven't to get a little art in their lives. There's
something to appeal to everyone. In my association with artists and
gallery owners, I have found that this year with the economy being
what it is has been has especially hit them hard. Art isn't
always considered a necessity, so when gas prices are high and stocks
are falling, I hope people will become creative in their ways to
purchase art. Art makes wonderful wedding, Christmas and birthday
presents. If you have to buy a gift, think art!
Gavin:
What are your thoughts on Gallery Stroll and how it’s evolved over
the years?
Catherine: Gallery Stroll is a necessity to
the galleries. It helps to get people to the galleries on a regular
basis. If there is someone who has never attended a Gallery
Stroll, you are in for a good time and it's free! The only major
change I can think of regarding Gallery Stroll is that galleries can
no longer serve alcoholic beverages at stroll. I used to chuckle when
I would go to a stroll in September and October and see all
these students that had assignments from their art teachers to attend
Gallery Stroll. The galleries that served alcohol were the most
popular! It's probably a good thing that it's been banned because
it's pretty hard to check everyone's license for under-age art
viewers.
Gavin: What can we expect from you the rest of
the year?
Catherine: As mentioned I am a featured
artist at Palmers till mid October. September 27th and October 18th I
will be at the Salt Lake Farmer's Market. I will be a
featured artist for the Gallery Stroll at Local Colors on October
17th (which is my birthday!) Come and wish me happy birthday
and see what I come up with for that show. It will be new and fun.
October 11th and 12th I will be in a fundraiser for the J. E.
Cosgriff Memorial School. November 15th I will be participating in a
group show for Intermountain Society of Artist.
Gavin:
Is there anything you’d like to plug or promote?
Catherine:
Come see our show at Palmers gallery. Local Colors of Utah has a
call for entry for new artists. This fall I will be teaching a
workshop on selling art on eBay, time not set yet. If you are
interested in either Local Colors or the workshop, email me at
pureart3@comcast.net.
Last but not least visit the UWS fall show at the Art Barn on Finch
Lane now through October. If you are interested in learning
more about UWS join us at Wheeler Farm. We have a general meeting on
October 7th with nationally known artist Ted Nuttall doing a demo
- painting people in watercolor. Meeting starts at 7:30
with socializing at 7:00. Admittance is free.