Last year, our first preview of fall films from the books that inspired them provoked no response whatsoever. We concluded that must have been because our loyal readers immediately immersed themselves in reading, leaving no time to praise the invaluable resource we had provided. So as a service to those readers'and because Labor Day weekend at the movies generally bites hard'here comes the second go-round. (Film release dates subject to change.)
nnSource Material: Little Children, by Tom Perrotta
nnBook Overview: In a small New England town, the residents are more concerned about the arrival of a convicted child sex offender than their own crumbling marriages. Perrotta is perhaps a bit too obvious about his title’s subtext'the adults also let others direct their lives unquestioningly'but he deftly avoids most of the pitfalls of satirizing suburban ennui. Funny, and at times fiercely perceptive about what sours relationships.
nnBook Grade: B+
nnReason for Adaptation Optimism: Director Todd Field deftly explored a crumbling marriage in the Oscar-nominated In the Bedroom.
nnReason for Adaptation Concern: The book is about what takes place in the characters’ heads'remove the psychology and it could be trite infidelity drama.
nnFilm Scheduled Release Date: Oct. 6
nnThe Movie Pitch: “American Beauty meets The Woodsman.nn
Source Material: Running With Scissors, by Augusten Burroughs
nnBook Overview: Burroughs’ memoir describes his adolescence as the child of a bipolar would-be poet who turns him over to her psychiatrist and his freaky family. True though it may be, the story overflows with so much eccentricity that it becomes oppressive. Only Burroughs’ unflinchingly wry delivery keeps it from turning into Wacky yet Horrifying Misadventures: The Autobiography.
nnBook Grade: B-
nnReason for Adaptation Optimism: A great cast (Annette Bening, Brian Cox, Gwyneth Paltrow, Evan Rachel Wood); if any director knows how to make edgy weirdness work, it should be Nip/Tuck creator Ryan Murphy.
nnReason for Adaptation Concern: It’s easy to see the quirky characters and nonstop chaos becoming too much to take in film form.
nnFilm Scheduled Release Date: Oct. 11
nnThe Movie Pitch: “Mommie Dearest meets Little Miss Sunshine.nn
Source Material: A Good Year, by Peter Mayle
nnBook Overview: A British banker, after a career downturn, relocates to an inherited vineyard in Provence, France. Mayle overstuffs his light-hearted comic plot somewhat'an international wine-trade conspiracy eventually makes an appearance'but he shows a nice touch for both the pleasures and the foibles of his adopted Provençal home. Lively characters and warm atmosphere add up to an undemanding but endearing beach read.
nnBook Grade: B
nnReason for Adaptation Optimism: Director Ridley Scott is thanked in the foreword, a good sign that the adaptation will be faithful.
nnReason for Adaptation Concern: Russell Crowe and lighthearted comedy do not instinctively feel like a match made in heaven.
nnFilm Scheduled Release Date: Nov. 10
nnThe Movie Pitch: “Sideways meets Under the Tuscan Sun.nn
Source Material: The Good German, by Joseph Kanon
nnBook Overview: In 1945 Berlin, an American reporter searches for the lover he left behind, while becoming obsessed with the murder of an American soldier. Kanon creates a fascinating look at devastated post-war Germany and the tentacles of corruption that make it virtually impossible for anyone to emerge guiltless. Creepy echoes of contemporary morality-blind policy in an occupied country only make the twisty mystery more engrossing.
nnBook Grade: A
nnReason for Adaptation Optimism: It’s a black-and-white period piece, which worked for the movie’s star George Clooney in Good Night, and Good Luck.
nnReason for Adaptation Concern: The last time director Steven Soderbergh and Clooney got serious, the result was Solaris.
nnFilm Scheduled Release Date: Dec. 8
nnThe Movie Pitch: “Chinatown meets The Third Man.nn
Source Material: The Black Dahlia, by James Ellroy
nnBook Overview: Taking off from an unsolved 1940s true crime, Ellroy follows two L.A.P.D. cops who become obsessed with the case of a beautiful woman found murdered and mutilated. The rich, densely plotted story explores the same corrupt underbelly of Los Angeles as his L.A. Confidential, with even more compelling results. Complex characterizations and grim, gritty atmosphere combine for a terrific literary noir.
nnBook Grade: A-
nnReason for Adaptation Concern: Ellroy’s dense plot wouldn’t seem to lend itself well to a condensed screenplay.
nnReason for Adaptation Optimism: That’s what everyone said about L.A. Confidential, which didn’t turn out too badly; Brian DePalma’s films are many things, but never boring.
nnFilm Scheduled Release Date: Sept. 15
nnThe Movie Pitch: “L.A. Confidential meets … er, L.A. Confidential.”