Saturday 11.14
FANFARLO
Skip the Hilary Swank Amelia Earhart biopic and let your fantasies take
flight through Fanfarlo’s “I’m a Pilot,” a sweeping, cinematic ode to
avi ation-speed fanatic Howard Hughes. The track appears on the U.K.
group’s latest LP, Reservoir, which contains flashes of Beirut’s lush
orchestration and David Byrne’s dreamy vocals in a frequently magical,
musical stew. Live, the artists are known to swap instruments on a
whim, a feat that’s always fun to watch up close and personal. You
might even rise from your pew and spontaneously sing their praises. Or,
maybe simply lounge about as if enjoying sitting-parlor appeal. The State Room, 638 S. State, 8 p.m. Tickets: TheStateRoomSLC.com
MASON JENNINGS
Everyone, be sure to thank Mason Jennings’ son for asking his father, “What’s an electric guitar?” The query prompted Jennings, long recognized for his fairly mellow folk sound, to step it up and record a truly rockin’ album. For those who prefer artists with a little meat on their delivery, Blood of Man offers something the Minneapolisbased musician never quite achieved through his previous releases—no matter how hard-hitting their lyrical content, quieter songs about wavering faith and other typical human travails pale in comparison to a track like “City of Ghosts.” Powerful and thrilling, the album suggests that perhaps Jennings will be equally explosive onstage. In the Venue, 579 W. 200 South, 7:30 p.m. Allages. Tickets: 24Tix.com
Sunday 11.15
THE BLACK CROWES
The tabloids might be more interested in Kate Hudson and A-Rod’s budding romance (and whether Phillies pitcher Chase Utley delayed their secret wedding by being a badass baseball player), but music lovers are too busy enjoying new jams by Hudson’s ex Chris Robinson to, frankly, give a damn. Robinson and the rest of the Black Crowes have withstood external and internal tribulations to deliver consistently solid output of Southern roots-rock anthems for 20 years—and counting. Their latest release, Before the Frost (which comes with a code to download a second set of songs), is no exception. Recorded live in Levon Helm’s studio, the album offers few surprises but instead cruises along the tried-and-true terrain that makes the Crowes such a stadium draw. Find your best pair of worn-out jeans and get ready to raise a beer to the band that declares with uplifting guitar jams, “No more drama”! The Depot, 400 W. South Temple, 7:30 p.m. Tickets: DepotSLC.com
OLD CANES
It’s often amazing to hear what musicians are able to cook up from the dusty dregs of their basements. Old Canes, for example, recently released an album whose most boisterous tracks seem outsourced from a rowdy pub or packed studio. The band’s mastermind, Chris Crisci (The Appleseed Cast), recruited several of his Lawrence, Kansas peers to build on the foundation for Feral Harmonic (Saddle Creek), which sounds best when it whips strings, harmonica, bells and whistles into a frenzy. Kilby Court, 741 S. 330 West, 7 p.m. All-ages. Tickets: 24Tix.com (with Victory Heist)