Saturday May 8
India Jazz Suites
A concert blending an American jazz trio with a group of Indian classical musicians doesn’t seem like the most natural pairing. But if you put those musicians to work creating the soundtrack to a couple of dance masters, one from each country, magic can happen. Those dancers are American tap-dancing wiz Jason Samuels Smith, an Emmy-winner for his role in Bring in ‘Da Noise, Bring in ‘Da Funk, and Pandit Chitresh Das, a master of Kathak—one of the six classical dance styles of India, designed to tell stories through entertaining. Put them together with a crew of stellar musicians and you have India Jazz Suites, and what promises to be an intriguing night of music and motion unlike anything you’ve ever seen. Peery’s Egyptian Theater, 2415 Washington Blvd., Ogden, 7:30 p.m., $15
Monday May 10
Phantogram
One doesn’t listen to Phantogram’s tasty stew of electronic loops, squealing synthesizers, hip-hoppy beats and boy/girl pop wordplay and naturally think, “You know, I bet these guys are country folk.” But it’s true; not only do the duo of Josh Carter and Sarah Barthel call the smallish upstate New York town of Saratoga Springs home, they also commute 45 minutes out of town to a barn they call Harmony Lodge to write and record. The rural life serves them well, judging by the mesmerizingly catchy-yet-slippery synth-pop that fills Phantogram’s debut, Eyelid Movies. It’s an apt title, given the cinematic scope of the tougher-than-expected tunes created by Carter and Barthel. Kilby Court, 741 S. 330 West, 7 p.m. $10
Groundation, Orgone
The FUZION 2010 tour pairs two of the West Coast’s live favorites, one from Northern California and one from SoCal. In Groundation, you have a band that infuses its roots reggae with the improv of jazz fusion, along with having a prog-rock tendency to create concept albums when the band hits the studio. That’s a scary combination in less capable hands, but Groundation manages to hold its disparate musical tastes together. Groundation’s growing popularity led them to tour across 40 countries and 30 states in the past year, including trips to South America and Africa. Los Angeles-based Orgone opens the show with a sound that should serve as a perfect appetizer, thanks to its horn-heavy funk and occasional dives into worldbeat waters. The Urban Lounge, 241 S. 500 East, 9 p.m. $17 advance/$20 at the door
Toots & The Maytals
There is so much
reggae heading our way that you’d think some of these Rastas were
confusing their African “Zion” with the good ol’ Utah version. Just
this week, we have reggae shows from Groundation, Vibe Rising, Rebel
Zion, Tribal Seeds, Sober Down and Know Ur Roots. None of them, though,
can boast that they beat Bob Marley to the reggae punch, except for one
Frederick “Toots” Hibbert, leader of Toots & The Maytals. The
original Maytals formed in 1962 and recorded a string of hits with
producer Coxsone Dodd, backed by Dodd’s house band The Skatalites and
overshadowing Dodd’s other vocal group, The Wailers. Hibbert
was arrested on a drug charge in 1966, but upon his release he created
a string of hits in the late ‘60s and early ‘70s that still sound fresh
when he delivers them live: “Pressure Drop,” “54-46 That’s My Number,”
“Monkey Man,” “Reggae Got Soul.” Now 61, Toots and the Maytals recently
released a new album, Flip and Twist. Rey Fresco opens the show. The Depot, 400 W. South Temple, 8 p.m. $22 advance/$25 day of show
Dan
Nailen:
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