High-Rise | Salt Lake City Weekly
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  Rated R · 119 minutes · 2016
Cult-favorite director Ben Wheatley takes on J.G. Ballard’s satirical novel of urban cultural hypocrisy, and the result is frustrating. Dr. Robert Laing (Tom Hiddleston) has just moved into his new apartment in a residential high-rise building that manages to be both sparkling and oppressive, all concrete and glass, sunlight and dark corners, spacious and airy yet cold and brutal. The social hierarchy is strictly architectural: The déclassé inhabit the lower levels, the elite on the upper levels; on the middle floors, Robert discovers middle-class hedonism. Such inequality cannot endure, of course, and it all collapses into actually apocalyptic chaos; think raiding parties to other floors to steal supplies (such as cocktail mixers). This is where the film itself collapses, as the mayhem swoops by in too-quick montages that favor only very mildly wry visual humor. The cast—also featuring Luke Evans, Elisabeth Moss and Jeremy Irons—is excellent, but the most captivating thing here is production designer Mark Tildesley’s mounting of a 1970s idea of the near future, perhaps hovering in a now-alternate 1990s. Too bad the story's leaden literal-mindedness drags it down.

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High-Rise

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Official Site: www.highrisefilm.com
Director: Ben Wheatley
Producer: Jeremy Thomas, Peter Watson, Thorsten Schumacher, Lizzie Francke, Sam Lavender, Anna Higgs, Gabriella Martinelli, Christopher Simon and Genevieve Lemal
Cast: Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss, James Purefoy, Keeley Hawes and Dan Skinner

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What others are saying (2)

Chicago Reader In High-Rise, an apartment tower stretches heavenward but winds up in hell Tom Hiddleston, Jeremy Irons, and Sienna Miller star in a punky new adaptation of the dystopian novel. by J.R. Jones 05/12/2016
Charleston City Paper Tom Hiddleston stars in blood-soaked dystopian satire High Rise When the Poseidon Adventure came out during the tumultuous 1970s with Nixon in the White House, there were those who saw the capsized ocean liner as a metaphor for a society that had been upended. by Tom Meek 05/04/2016

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