Outside events cast a long shadow over the 2017 Sundance Film Festival.
Before the 2017 Sundance Film Festival kicked off on Jan. 19, a colleague joked on Twitter that the inauguration of Donald Trump—which occurred on the fest's first full day—would frame every wrap-up piece.
Gold never shakes free from its too-familiar story idea.
There's nothing fancypants here ... just underpants, like a potbellied Matthew McConaughey prancing around in tighty-whities. Fun for the whole family!
20th Century Women offers a compassionate take on generational shifts.
Dorothea, it turns out, is something of a trailblazer herself, a woman who went to flight school for a chance to fight in World War II, and a trained architect.
Silence is a beautiful, complex mix of Good Friday and Easter Sunday.
There's an old story that one of Martin Scorsese's New York University professors said his films contained too much GoodFridayand not enough EasterSunday.
Hidden Figures tells an about-damn-time story of history-making women of color.
Though they were as smart and as educated—and often did much of the same work—they were paid less in money and in respect than their male counterparts (who held titles such as "engineer"). Anything done by black women was, obviously, barely worth mentioning.
Celebrating the best of 2016 in film.
If you're looking for a place to start catching up on some 2016 greatness, I hope this'll do.
Jackie keeps repeating its intriguing ideas about turning people into icons.
It's difficult to imagine a film announcing more spectacularly and efficiently what it's about, before a single word is ever spoken: a disconnect between surface spectacle, and something much darker just beneath that surface.
La La Land celebrates magical, inspirational art.
You either accept that a first flutter of infatuation can cause people to burst into song.
One size of loss does not fit all in Manchester by the Sea.
In all those works, he has poked around not just at how people respond to tragedy, but at how someone else might respond to that same tragedy in a completely different way, or even not take that individual grieving process seriously.
Simple, non-heroic love changes the world in Loving.
On a certain level, though, Loving is about people who find that they have no choice but to insert their lives into something bigger, even when it might seem simpler and easier not to fight.
The Edge of Seventeen overburdens its heroine with too many issues.
But too often it feels like it's trying to be every kind of high-school movie at the same time.
Moonlight beautifully examines the intersection of sexuality and masculinity.
Living with a crack-addicted single mother (Naomie Harris), Chiron faces a struggle with basic survival.
A real-life war story is uncomfortably split in Hacksaw Ridge.
And are there ways to tell those stories that don't feel like something we've already seen in a much better version?
At least Inferno brings some goofiness to its absurd plot.
Well, Langdon wakes up in Florence hospital with amnesia in his brain and a high-tech medical vial in his pocket.
Our picks for the "awards season" movies most worth getting excited about.
Here are some of the titles we're most jazzed to see heading toward the end of 2016.