Back
out to Gallery Stroll I go this month, in an extra hot August that damn near
came close to 100. People dropping like flies almost becomes a common occurrence, next to sweaty brows. Its the one month I wish instead of small crackers, there was
lemonade.
--- This
month I made my way a little further East on the tour over to Caffe Niche and
Dexterity Salon. The Caffe was playing host to work from students of the Visual
Art Institute, which you can check out from the first half of the pictures from
Friday. And over at Dexterity were works from painter/designer Todd Powelson and
his latest series. I got to chat with Todd about his career and artwork, as well
as thoughts on local art.
Todd
Powelson
http://www.toddpowelson.com/
Gavin: Hey Todd, first off, tell
us a little bit about yourself.
Todd: I am a graphic
artist, illustrator, and painter. As a little kid my family moved around a lot
but settled in Salt Lake when I was a teenager and, although I moved around a
bit in my 20's, have been living in Utah pretty much ever since. I've always
loved to draw, and read, and build worlds in my head. I'm a day-dreamer and want
to show you the people I've met, and the things I've seen and imagine.
Gavin:
What first got you into art, and what were some of your early
inspirations?
Todd: My mom was a painter, and so were
a lot of her family. She was always supportive. My earliest memories are of me
sitting with a pencil and paper, just drawing away the day. Probably some of my
earliest inspirations were comic books, and I learned a lot about drawing and
the graphic art just by flipping through their pages. My grandma was an English
teacher, and used to send me books on Greek, Roman, and Nordic myth. This really
fired my imagination, and made me study up on the ancient world and their
artwork and culture, because of that I developed a very strong interest in art
history. When I was a kid, one of the places we lived was in Taiwan, and living
there helped me discover a new aesthetic and to see things in a slightly
different way. When I got a little older I discovered Picasso, the surrealists,
and their contemporaries. By that point, I had no choice but to create. Making
something that never existed before, that's a beautiful thing... It was, and is,
like magic to me.
Gavin: For college you started off
at SLCC. What was their program like back then?
Todd:
I really liked it. I took a lot of my general classes to get them out of the
way, but had a very strong emphasis on the visual arts. By the time I started at
SLCC, I was already painting like a madman, and they helped introduce me to
printing and sculpture.
Gavin:
What made you decide to go to Utah State after two years, and what was the
transition like?
Todd: Logan is great, so the
transition wasn't a hard one. I'd heard they had a very strong art program, and
they did. Their design program was especially strong, so even though I went up
their to study painting and sculpture, I guess that helped me become more
interested in the graphic arts as well.
Gavin: You
finished up at Provo College with high honors in Design. How was the whole
experience for you after trading schools again?
Todd:
When I started school at Provo College my painting was going in a direction that
I liked, but I wanted to learn as much as I could about computers and how I
could use them as a creative tool. I spent a lot of time playing in the design
programs and that gave me a lot of new opportunities.
Gavin:
What were some of the first design jobs you got afterward, and how was it for
you being able to do it for a living?
Todd: My first
design job was creating and separating artwork for a screen-print shop. I was
very curious about design, and deliberate with my career path because I wanted
to keep learning as much as I could. I went on to do print work that focused on
photo editing and illustration. I've also been able to focus primarily on web
and multimedia design for the last few years. I enjoy being able to spend my
days being creative.
Gavin: You've done a lot of work
over the years for places like Zija, MindQuest, Park Record, even SLUG
Magazine. What would you say was the best project you've worked on over the
years?
Todd: Yeah, lots of different things. At on
point, I was illustrating posters for my 9-5, and that was fun. I've also always
liked working with Flash and other multimedia.
Gavin:
You also kept painting and sketching in your spare time. Was that more to have
another creative outlet, or did it just come naturally to do more
art?
Todd: Drawing, which seems to be the foundation
for everything I do, just comes naturally. I have many ideas that keep coming,
and if I go for too long without working on these ideas and personal projects, I
get anxious.
Gavin: What's the process for you like
when creating a piece, from start to finish?
Todd:
Lately, I have been working more and more with computers for my personal
artwork. For that I'll usually start with a drawing, scan that in, and start
coloring and painting digitally.
Gavin:
Considering the work behind the pieces, do you have an idea of what it'll be
when you start or does it usually change while working on
it?
Todd: It depends. Most of the time I have a very
specific thing in mind, but sometimes I just start creating patterns or smear
some paint around and see what kind of forms are
interesting.
Gavin: Tell us about the show at
Dexterity and what you're showcasing.
Todd: I will be
showing a series of digital paintings called Dreams For Schmidty. This series
was originally published in SLUG Magazine each month. It's a series of
dream images and archetypes that I've dedicated to a childhood friend who passed
away from a rare genetic disease.
Gavin:
A little local, what are your thoughts on our art scene, both good and
bad?
Todd: The art scene is very small, but there is
a lot of talent. A whole lot of talent. It has been great to see careers grow
and the community evolve. On the downside, I think the community can be
conservative. Another real downside is a serious lack of collectors and patrons
here in Utah. Ideally, we'd have more artists experimenting, and have more
people intrigued and buying. It does seem to be going in that direction though,
which is encouraging.
Gavin: Anything you believe
could be done to make it bigger or better?
Todd: I
think that generally galleries need to take more risks and show more innovative
work. Artists can also find new ways to get their work seen. I also think that
the community needs to fund the arts a bit more.
Gavin:
How about what you think of Gallery Stroll and how its evolved over the
years?
Todd: I've watched the Gallery Stroll change
quite a bit over the years. It seems like the Gallery Stroll's vitality was
starting to fade for a little while there, but I see it coming back
again.
Gavin: What can we expect from you the rest of
this year?
Todd: I've got quite a lot planned. Right
now I've got some of my T-Shirts in one of SLCitizen's satellite stores at
Slowtrain records, and hope to add more soon. I've also been helping Matt
Monson, owner of SLCitizen (formerly Model.Citizen) and organizer of Fashion
Stroll, with their website. We are
talking about showing some of my artwork in October at his new store, which will
open later this month in Library Square. I will also be involved with Craft
Sabbath on October 4th at Nobrow Coffee from 12-4pm. I will be working with
Transfusion Hype Dance Company again and putting together new artwork for their
show at the Rose Wagner which runs from December 2nd-4th.
And in January, I'll have a show at Caffe Niche, which will feature a new series
and new artwork.
Gavin:
Is there anything you'd like to plug or
promote?
Todd: In addition to the things I just
mentioned above, I would also like to invite people to visit my
website.