When
you hear the term Open Mic Night, probably the last thing that comes
to mind is a film festival. Not quite the case up at Salt Lake
City's legendary Tower Theater where once every few months their film
set is pushed aside, and they make room for local film makers to
showcase their short films for an audience. With the Salt Lake
Film Society backing them up, David Fetzer, Patrick Waldrop and their
cohorts of cinema give way for aspiring film makers to show
their work, and local film watchers a chance to see something other
than the Hollywood hype.
--- After personally seeing
the first one they ever did last year, I knew I had to come back and
talk about how things had progressed since then, as well as take some
pictures and view what local film makers had done. After the
80's throwback introduction piece, we were treated to such sights as
a snapper fight before looking for a missing person, a videography
explaining the term Videography, the travels of a heart-shaped cake,
the search for the gilded scarab, and the experience of shock value.
...And then there was "Cake Day"... which I can't fully
talk about on here because description doesn't do justice.
David Fetzer wasn't available, so I got to sit down with his partner
to talk about Open Mic Night.
Patrick
Waldrop
http://www.slfsopenmicnight.com
Gavin:
So who are you and what do you do here?
Patrick: I'm
Patrick Waldrop, I used to be an employee here along with David
Fetzer, but I don't work for the Film Society anymore. I helped start
Open Mic Night here with David, and now I just do it in my spare
time.
Gavin: For those who aren't aware of the Tower
Theater, give us a brief history.
Patrick: The Tower
was one of the first talking-sound theaters in the area. Don't quote
me on it, but I believe it may have been the first in Utah. They
started out as a First-Run theater, then moved into more of an art
theater, playing more alternative cinema. Art, foreign, independent,
just anything alternative. They do a lot of retrospectives. It's also
a great place to rent movies from too, they have history of cinema
that lives here for real movie people. I think you get a real cinema
feeling here, especially since it's been here since the early
30's.
Gavin: How did the idea of Open Mic Night come
about?
Patrick: We were actually talking about doing a
film festival. But it came down to the fact that we both have a life
and a film festival would take a lot of time and work to organize
everything. We wanted to do a much bigger deal, but decided we should
settle on something a little simpler that's more constant. And nobody
was doing anything like this, so we thought why not give local film
makers an open forum and not have it be that exclusive. So we went to
the Film Society while we were working there and told them about it,
and they wanted to give it a shot. It's worked out pretty well since
then. We just wanted to get something going to build a better film
community, get people active, working with each other and network.
Nothing has been more educational to me than watching your film with
an audience you don't know and seeing how they react. We're also
looking to help younger film makers come and see this and grow and
experience that feeling, and also to network and see other young film
makers here.
Gavin: Now I was personally here in the
audience for the very first one you did last year. How was that
experience of doing it the first time?
Patrick: The
first one was way too long. We didn't know how to tell people “no”
when they kept bringing the shorts in. We didn't have a set time
before, now we've got that. We try not to make it go over 140
minutes, tonight we're at 142 so we're done. But the first one was
almost three hours long. And you know after sitting through three
hours of short, many of which are around fifteen minutes, it tends to
become a boring set and just becomes slow. So now we go through them
and pick the order. We have to go through them anyway to make sure
there's no pornography or drug use, but now we use that to program
smaller shorts around longer films and make it flow better. So we've
gotten better at making the show more palatable for the audience. You
can come down and I guarantee you will love some of them and hate
some of them, doesn't matter who you are. But at least this way
there's more of a mix.
Gavin: How often do you do
this?
Patrick: We do it every three to four months.
Next one is May 14th actually. I's kind of become a very
consistent now so we'll keep doing this every year. This is our fifth
one tonight and I think at this point it's something the Film Society
is planning on carrying on permanent ally, whether Dave and I are
here or not. And that's good news I think, I believe it's a really
good program to have for the film community.
Gavin: Any
plans to incorporate the Broadway Theater since this is a joint
venture with the Salt Lake Film Society?
Patrick: We
could. The main reason we do it here is because we have our digital
projector here and not at the Broadway most of the time. It tends to
make it's home here. But I'd like to keep it at the Tower. It could
be moved over there very easily, but I like the Tower's atmosphere
for this.
Gavin: Were you ever planning on doing awards
for these films, or just keep it as simple as showing them and
letting people enjoy them?
Patrick: We've actually come
up with a new format that starting up tonight and we'll see how this
goes. We have a judge coming in, our judge tonight is Jeremy
Matthews. We'll have a judge every night that will be a film critic
or film maker, somebody that's reputable. Jeremy writes for Film
Thread and covers film festivals there, he's also written for City
Weekly and In Magazine, used to be the editor of Salt Shaker
magazine, so a lot of people know him and respect his opinion.
Tonight we'll have him as a judge and the audience will have a ballot
on their programs where they just tear off the number of the one they
like and drop it in the popcorn bucket. So there will be an audience
jury and a judge best of, and they'll be posted on our website along
with the others submitted tonight. At the end of the year we'll take
all those Best Of's and make a set out of those and do a separate
event for a fifth event for the best of the year vote.
Gavin:
Any plans to possibly take each night's films or the best films and
make a DVD, or leave that more up to the film makers?
Patrick:
People can certainly release them. I think it's a good idea, it's
been suggested and I'd like to look at it. But the problem is a lot
of armature film makers aren't paying any music or image rights for
managed media that they're using. And a lot of the best shorts are
actually stealing that material, which is fine since it's just a
small film. But if we ran a press of the DVD and tried to sell them,
then we'd be breaking the law. If we could work past that then maybe,
but we don't have any plans to do that right now.
Gavin:
Any films you want to mention that you feel are the best from the
past events?
Patrick: There's a few different groups
that come in with films. I really like to see people being very
inventive with nothing. They go on a little long, but I enjoy
watching the action figure bits that people are doing. People just
being inventive like that. There's a guy named Brooke Elison who has
made short films that are one minute long. One is called “My 10
Favorite Movies”, and it's a whole computer animated show of his
ten favorite movies and why he loves them with a computer voice
talking. And it ends with “You should make a list of your ten
favorite movies, it will say something about you.” I like to see
people have fun with it and be inventive, you know? When I sense
people are being way too serious about it, I don't enjoy it. I don't
know how others view that and I don't wanna speak to heavily about
it. The A.V. Club's films seem to make me laugh a lot. There's
several people I don't know that well who turn in great films and I
wish I knew them better because I like their movies. But I think
there's always a consistent group of people who come down and bring
in a selection, like they're making movies for just this event at
this point. And that's really cool to see, to know that they have
this deadline they have to meet, it's good training.