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Home / Articles / Music / City Weekly Music Awards /  CWMA Band of the Year 2013 Page 2
City Weekly Music Awards

CWMA Band of the Year 2013 Page 2

L'anarchiste & Utah's best bands

By City Weekly Staff
Posted // May 1,2013 -

THE TALENT
The City Weekly Music Awards have gone through many name changes—Showdown to South by Southwest became the SLAMMYs, which became the CWMAs—but the core mission has stayed the same: shining a light on the talented bands and musicians who call Utah home.

This year, we were excited to introduce a robust variety of genres and more new bands to the awards showcases than we have had in previous years. These 22 bands played across Salt Lake City and Provo at seven showcases from April 17 through April 27.

Our goal with the CWMAs is to expose City Weekly readers to a number of new bands and venues where they can revel in the live-concert experience. Many of these shows featured seemingly strange pairings, but, in the end, made for eclectic, memorable and engaging concerts filled with surprises during each set. The overall turnout for the 2013 showcases was excellent, so, thank you, fans and music lovers.

While the CWMAs are not a battle-of-the-bands competition, there is a winning band at the end of the two-week jamboree, chosen by a combination of online voting and in-person votes, the latter weighted significantly more. We’re excited to announce that L’anarchiste is this year’s Band of the Year, joining the ranks of previous winners Neon Trees, King Niko, Spell Talk and Max Pain & the Groovies and earning bragging rights for life and a cash prize to boot.

These ambient indie-rockers and the other 21 bands and 10 DJs we showcased should give you plenty of reasons to go see live local music throughout the year. Read in these pages what we liked about each performing artist or group. —Austen Diamond

Contributors: Benjamin Bombard, Niki Chan, Dom Darling, Austen Diamond, Andrew Fillmore, Nick Morgan, Meredith Newsome, Gavin Sheehan, Jordan Wallis, Colin Wolf

CWMA_Concise_Kilgore.jpgThe 801 Agent
Concise Kilgore

Concise Kilgore has reaped more success in the rap industry than anyone currently residing in the 801. Kilgore started his career as a tour hype man for rapper Rasco (of Cali Agents). In November 2012, he dropped his second LP, Kobain (Soulspazm), with heavy support from local producer DJ Briskoner. It’s a gigantic effort loaded with a laundry list of rap’s biggest names—Evidence and DJ Babu (Dilated Peoples), Fashawn, Brand Nubian and Action Bronson—and has earned him national renown. (Colin Wolf) Facebook.com/ConciseKilgore

CWMA_Wanagana.jpgOrgy for the Eyes
Juana Ghani

When 11-member Juana Ghani formed nearly three years ago, they didn’t intend to become an “underground gypsy cabaret,” but the description emerged organically from the eclectic cast, whose artistry cannot be expressed via music alone. A Juana Ghani concert—and they are a live band first and foremost—includes belly dancers, a magician and pole dancers accompanying the band’s signature poppy-polka and gypsy-rock sounds. Shall We Live Forever, the band’s 2012 debut, offers semi-nightmarish themes of violence, revenge, desire and struggle. To add context to the lyrics, band member Brian Bonell released a novella titled Kasojeni Bay. Juana Ghani’s creativity knows no bounds. (Austen Diamond) JuanaGhani.com

CWMA_Marinade.jpgHard-Working Hippies
Marinade

Marinade’s memorable live presence, with frontwoman Talia Keys passionately playing drums center stage, has kept the band on people’s minds. The five musicians gig a lot, at venues ranging from the Hog Wallow Pub to Desert Rocks Music Festival, and have become hometown hippie heroes—one of the few bands that makes a living with music alone. With the release of Marinade’s first professional album, Soak Your Meat in This, the band’s reggae-infused blues are finally available beyond the bar. (Jordan Wallis) MarinadeMusic.com

CWMA_GoldenSun.jpgHot Heat
Golden Sun

Andrew Goldring’s amazing guitar skills have been widely known for years, but when he matched them up with a trio of brothers to form this alt-indie powerhouse, success was almost a guarantee. Golden Sun’s self-titled 2012 EP paired Goldring’s vocals with the kind of truly synchronized rhythms and melodies you can only find in a band of brothers—Jantzen, Weston and Chase Meier. They may not be able to play 21-and-over bars yet, but they’re consistently selling out the all-ages venues. (Gavin Sheehan) Facebook.com/GoldenSunBand

IMG_0013.jpgYung Philospher
DopeThought

The spearhead of the Make Mind Collective, emcee DopeThought, hailing from Rose Park, is also one of Utah’s most promising up-and-comers. His style is a well-balanced blend of effortless battle rap and engaging storytelling. In January 2013, Dope released his debut LP, We Our Environment (Heaven Noise Recordings), produced by Jackson “Worth” Savage. The 17-track album is a collection of smart, socially conscious lyrics paired with Worth’s squeaky-clean, jazzy samples. (CW) Facebook.com/DopeThoughtClassics

TeCWMA_TheBully.jpgnacious Twang
The Bully

One of the major themes in the local scene this past year has been stalwart local musicians branching out into new terrain. With The Bully, Jake Fish (bassist for The Devil Whale) picked up a six-string to pluck out gritty alt-country gems. Backed by Jamie Timm, Brent Dreiling and a slew of SLC mainstay musicians, the live sets have been evolving from a hodgepodge of covers and originals to a more confident, unabashed expression of this new band and its frontman. (AD)

CWMA_LadyMurasaki.jpgThe Siren of Sultry
Lady Murasaki

This SLC jazz-rock band turns heads—and not just because of its gorgeous, 6-foot-tall frontwoman, Amber Taniuchi, either; Lady Murasaki’s infectious melodies and catchy beats compel booties to shake on dance floors. Four of the band’s songs made their way onto a self-titled debut EP that brings to mind a surfier Nat King Cole, Adele, Norah Jones and Ella Fitzgerald. Lineup changes gave the sound a bit more crunch and college-radio feel. Taniuchi’s silky, bass-y vocals play over the swinging bass riffs and rhythms for a set of rock songs that relate an unrelenting pining for love. (GS) Facebook.com/LadyMurasakiBand

CWMA_FolkHogan.jpgFolkamaniacs
Folk Hogan

How long does it take for whiskey to boil in hell? Only Folk Hogan knows. Well, they at least love the chest-pounding power of the brown drink, the spookiness of the macabre and are wont to sing, “We are gods/ In a band of mighty souls.” Their debut album, Band of Mighty Souls, offers up 12 tracks that pay homage to punk, gypsy rock and the fervency of newgrass in a Royal Rumble of notes, melody and rhythm. This five-piece is a raucous thing to behold, whether they’re busking on the streets or playing into the wee hours at a bar. (AD) FolkHogan.com

CWMA_BulletsAndBelles.jpgDoo-Wop Darlings
Bullets & Belles

The overall aesthetic of this minimalist three-piece is something like Billie Holiday meets doo-wop, Bing Crosby minus a swinging horn section, or classic pop meets indie contemporary songwriting. Bullets & Belles label themselves as “contemporary doo-wop” and “whimsical soul.” And when the two female voices come together in a scratchy harmony on top of piano, acoustic guitar and drums—like on the band’s brand-new 2013 LP, Be Glad—you might pull out a hankie and swoon. (AD) BulletsAndBelles.com

CWMA_animal.jpgWolffalo Howls
Color Animal

After recording solo as The Platte, singer-songwriter Andrew Shaw’s dreams of rocking out again have come true with the help of Nick Neihart (guitar on album), Seth Howe (guitar in concert), Tyler Ford (drums) and Felicia Baca (bass, backup vocals). Color Animal started gigging in May 2012 and has now released a solid set of seven garage-rock tunes with Vision Lies, an album about “truth.” It’s not heavy, per se, rather a fun, no-frills album with an addictive, catchy, aggressive, poppy aesthetic at the core (think The Thermals, Surfer Blood or Ty Segall). Although the band’s logo is a wolffalo, its symbol could just as easily be an earworm. Truth! (AD) Facebook.com/ColorAnimalRocks

CWMA_SpiritMaster.jpgCryptic Reverb
Spirit Master

Spirit Master creates the perfect rock concoction that’s equal parts experimental music weirdo-ness, cryptic pseudo-religious imagery and shit-eatin’-grin persistence. Hear the four-piece’s experimentations on killer songs like “Kelly Clarkson,” which has nothing to do with the pop star, or “The Architect,” which teeters between metal and prog rock. The symbols and trippy imagery, like The Flaming Lips’ Wayne Coyne’s face—a close-up from Christmas on Marson the back of the band’s recent EP are enigmatic, to say the least. And, finally, aside from steady club gigs, the band’s perseverance landed it an opening spot for The Flaming Lips in late 2011—a notable achievement no other local band can boast. (AD) SpiritMaster.bandcamp.com

IMG_9943.jpgThe Renaissance Man
Burnell Washburn

Arguably the hardest-working rapper in Salt Lake City, Burnell Washburn is the definition of an all-around hustling emcee. As co-owner of Wasatch Renaissance—a Sandy-based record label and collective for local musicians and artists—and promoter of the monthly Hip-Hop Roots shows, Washburn has been a major advocate for fostering SLC’s burgeoning hip-hop scene. Over the past year, Washburn has toured heavily alongside legendary Rhymesayers emcee Abstract Rude in support of his April 2012 EP, An Apple a Day. (CW) Facebook.com/BurnellWashburn

CWMA_NightSweats_NikkiChan.jpgBroody Baritones
Night Sweats

Though Night Sweats’ six members have been making this band’s brand of broody indie-dance music for only two years, they have been making music in various other Salt Lake City bands for more than 10 years. That cohesion shows in their effortless musical explorations that all, somehow, turn into gold—or Red, like the title of the band’s first EP, released this year. There’s a clever balance between catchy riffs, sweaty synths, ambient soundscapes and smooth baritone vocals that’s at once hip, exploratory, atmospheric and loose. (AD) Facebook.com/NightSweats

CWMA_SecretAbilities.jpgNerd Power
Secret Abilities

Foodies looking to soundtrack a cocktail party should ignore Secret Abilities. If the band’s sound were edible, this would be the recipe: 2 bowls hot-dog-flecked mac & cheese, 1 handful candy corn and 1 cup Kool-Aid. The nerdy, fuzzed-out, goofball pop punk on Secret Abilities’ newest record conjures walking corpses and sci-fi monsters, and owes as much to the Modern Lovers as to the Groovie Ghoulies. Just check out lead singer Davin Abegg’s silver-sparkle and sunburst-yellow guitar: This is music for good, silly times. (Benjamin Bombard) Facebook.com/SecretAbilities

CWMA_HangTime.jpgBig Kids
Hang Time

With his new venture, Hang Time, scenester and local music stalwart Will Sartain—along with Andrew Sato, longtime Future of the Ghost bandmate Cathy Foy and TJ Fitzgerald and Yoko Ono (the band’s fog machine and “chief decision maker”)—has gone from somber modern rock to bouncy house music for big kids. The power-pop tunes, replete with stardust synths, should jumpstart even the most morose hipster. The band’s self-titled debut has earned some national attention: It climbed to No. 56 on the CMJ Top 200 chart. Not too shabby. (BB) Facebook.com/HangTimeHangTime

CWMA_EagleTwin.jpgDynamilcaly Dense Duo
Eagle Twin

There are rock bands and there are sludgy bands, and then there are those bands that are just plain dense—in tone, in content and also in the members’ many skills. Eagle Twin shreds a mighty riff, which bursts forth from fully stacked amps, alongside the heady content that guitarist Gentry Densley sings—myth-based ideas about life cycles and such, aided by the pulsing, pounding rhythms of Tyler Smith. The duo dropped The Feather Tipped the Serpent’s Scale in 2012 and even toured internationally, providing support for Russian Circles in Australia and New Zealand. (AD) EagleTwin.bandcamp.com

CWMA_BookOnTapeWorm_NickMorgan.jpgDream Weavers
Book on Tape Worm

We’ve labeled Provo-based Book on Tape Worm’s music as “slumber-pop” previously, which is fitting for several reasons: A pillowcase (with lyrics to the end-of-the-world ballad “Defcon 5”) is a main merch item. The band headlined the sold-out Slumber Party show at Velour. The instrumentation is lush—beyond guitar, it draws upon piano, cello, upright bass, vibraphone, glockenspiel and assorted percussion, and the tempo of the songs is generally mellow. And the band’s debut was presented in the best possible physical album: a pop-up book. (AD) BookOnTapeWorm.com

CWMA_Polytype.jpgNext Big Thing
Polytype

This year’s best local release might be Provo buzz-band Polytype’s Basic//Complex. But unless you purchased it at the stellar release show at Velour on Feb. 1, you’ll have to wait for the contemporary electronic-indie (think The xx or Toro Y Moi) to drop nationally this summer—Polytype is holding out for a big push. And there’s good reason to think national ears will turn in the band’s direction: Album opener “Cyclone” is a near-perfect indie composition, “Needs” is soothing and emotive and “Devil’s Out” might be the song that lands Polytype on indie blogs nationwide—all three songs showcase the four-piece’s deliberately ambiguous lyrics and fresh approach to songwriting that’s novel, new and homespun. (AD) PolytypeMusic.com

CWMA_Matteo_Meredith_Newsome.jpgJourney to the East
Matteo

Nobody else in Utah plays music that sounds anything like Matteo’s, and that probably holds true for the other 49 states, too. Matteo’s melding of Chinese and American folk music won’t juice you up for a debaucherous Friday night, but the band’s sumptuous melodies and Eric Chipman’s inspired lyrics will whisk you to faraway lands. Matteo released a new album in late 2012, The Sichuan Project, recorded during the band members’ artists-in-residency period at Sichuan University in China months prior. (BB) MatteoMusic.com

CWMA_Mideau_MeredithPhoto.jpgBells & Whistles
Mideau

Fans of local singer-songwriter Libbie Linton and Spencer Harrison (former Fictionist member) might be surprised by the experimental electronic folk the duo has created with this freshly formed band, Mideau (pronounced “mid-oh”). Linton’s lilting voice moves from bluesy to Disney princess in the band’s fresh, warm debut, to be released in August. All the bells and whistles—literally—that they could find with producer Nate Pyfer at June Audio can be heard on this uncompromising effort, funded by a $10,000 Kickstarter campaign. (AD) MideauMusic.com

CWMABands_EmersonKennedy.jpgFreestyle Champ
Emerson Kennedy

Emerson Kennedy’s style of rap, heard on his first polished collection of tunes, Denim, released in April, can only be classified as experimental hip-hop—think Theophilus London, Sting and, hell, maybe even Kavinsky. But even though the 29-year-old musician, producer and rapper’s music blends everything from indie-rock to rap, and he typically performs with a live band, Kennedy is a freestyle rapper at heart—an accomplished one, at that. Currently, he’s undefeated in battle-rap competitions like AHAT and Mic Masters. (CW) Facebook.com/EmersonKennedyMusic

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REPLY TO THIS COMMENT
Posted // May 4,2013 at 16:02 I want to thank CWMA for giving the locals a chance to showcase their talent and fan base although I feel that some of the venues specially in the hip hop genre should have been a 18 for the simple fact that this is a competition for fans. I represent a artist that most of his supporting fan base is under 21 and the only chance they get to voice is thru online which does not count as much as on-site votes. Next year I hope you add this demographic to the shows for better attendence.

 

REPLY TO THIS COMMENT
Posted // May 2,2013 at 16:18

Hey y'all- Marinade was and is honored to have been a part of the CWMA's. Although we did have a lot of the online vote, we didn't have the biggest turnout for our showcase. So I kinda had a feeling we wouldnt win. I am not surprised by the news and would love to congratulate L'Anarchiste for taking this thing home! LOVE LOCAL MUSIC! SUPPORT LOCAL MUSIC! and Thanks for your support kids!! 

 

REPLY TO THIS COMMENT
S
Posted // May 2,2013 at 12:13

YO. If we were to educate ourselves on the fact that the online votes did not count as much as the in person votes, understanding would be more solid. The state room was packed and all of the bands that were there that night kicked ass so I doubt that all the votes went to l'anarchiste, but I'm also sure city weekly knows how to count. They did a fan-tas-tic job and completely deserve the recognition. Also. . They seemed to have brought a lot of fans out to the show, really excited about the CWMA showcase they used social media and their voices to let people know about the show. So GOOD JOB for not just expecting everything to be done for you and also working hard and being prepared to get people to a show which is a comepetition. (duh. )

The amazing other bands in the showcases deserved the recognition they got (being nominated, having names and projects announced, put on the poll, ballots, marketing materials, announced on radio stations, in the papers etc. ) - and awesome showcases were put on and attended. The other bands do NOT deserve your negative attitude haters, and the disgrace you're bringing associating yourself with them. All of the participants have rad projects coming up or music avalliable for purchase and enjoyment. Let them know you loved listening to them and you're excited to see what they're doing next. I bet they'd appriciate it more than you trolling and 'defending' their online voting honor.

This is a local paper, supported by local businesses. Cool that they're taking time to support local bands and artists. Right? 

 

REPLY TO THIS COMMENT
Posted // May 2,2013 at 11:08

As a competitor in this years CWMA, there are a few things I can add.

    Was the event disorganized? Yes. Why? Have you ever tried to organize 32 groups of musicians? It's like hoarding cats through a catnip forest. Things can always run smoother but that doesn't mean it was bad on CWs part. It was made very clear by Austen Diamond in several articles that the CWMA is a constantly evolving event. Every year there has been cries of favoritism, and every year they tweak it just a little more to make it better. This year they finally said, lets put this directly into the hands of the bands and fans.

    L'Anarchist is unknown!? Well, their 1,000 Facebook fans may beg to differ. Also, their shows have a great energy, and it's likely they could steal votes from any band they played with. That's the beauty of CWMA in this format; CW has virtually no influence. Online votes counted for a fraction of the amount that in person votes counted, and playing a large, nice venue like The State Room will always draw a bigger crowd. That part may have been luck, but they unquestionably deserve their win. Marinade may have three times the facebook fans of anyone else, but the in person votes didn't reflect that. My band didn't win, and that sucks, but going to other CWMA shows made it clear that it was anyone's win. The only people that truly have a right to say something is amiss are the ones that attended every single show and counted the fans for each band. Which a few people actually did! They work for City Weekly and tallied the votes to come up with a winner.

 

 

REPLY TO THIS COMMENT
Posted // May 2,2013 at 08:47

Julie, there's a quote that's widely attributed (accurately or not) to Napoleon Bonaparte that goes like this: "Never ascribe to malice that which is adequately explained by incompetence. "

I don't think there's any sort of conspiracy (though maybe a few small shenanigans in regards to which bands played with who and at what venues, capacity differences, genre gaps, etc), I just think this year's competition was very poorly managed.

I do feel there's a point to be made about the change in the format of the competition; I was expecting something similar to when King Niko won the competition (first round, semi-finals, finals).   Poor turnout surely could not be the issue behind changing from this format. I distinctly remember King Niko's finals appearanec, The Complex was packed. It was exciting and it was fun to see some of my favorite local bands compete in a bracketed system. It added a lot of suspense and excitement that, quite frankly, this year's competition lacked in large volumes. The individual shows also seemed very lack-luster, as if the CW staff or venue staff were just not all that excited about doing it this year. It was as if the whole thing was just going through the motions for the sake of doing it.   If that's the case, let's just not do it at all next year.   I'd rather have something big, fun and exciting (see again the year King Niko won as a good example), or no showcase at all, than something that feels like an overblown SLUG Localized. City Weekly is better than that.

If there are still butt-hurt bands/fans, well maybe Austen can arrange a Runners Up show and the winner can be forever crowned "Number 2", otherwise lets learn from this year and make next year's CWMAs a grand event again.

Anyways, just my two cents on the matter.

 

 
 
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